The Criterion Collection, a continuing series of important classic and contemporary films presents Under the Bridges.
Puttering up and down the Havel River, bargemen Hendrik and Willi (Carl Raddatz and Gustav Knuth) dream of meeting a decent woman, getting married, and living a “solid life.” While traveling to Berlin, they meet forlorn Anna (Hannelore Schroth) on Potsdam’s Glienicker Bridge and mistake her for a potential suicide. The pair provide her with refuge on their barge as it heads for Berlin and each takes a fancy to the young woman, but she is too guarded to reciprocate and their friendship strains under the tension of their humble romantic rivalry. Stylishly representing working class lives in a poetic realist style, Helmut Käutner’s Under the Bridges is a heart-winning drama that imagined German life and love free from the traumas of World War II and stands as an underappreciated masterpiece of German cinema.
New 4K digital restoration, with uncompressed monaural soundtrack on the Blu-ray
The Criterion Collection, a continuing series of important classic and contemporary films presents Shunji Iwai’s White Films – Love Letter, April Story and hana & alice.
Few filmmakers capture the wonder and angst of young adulthood like Japanese writer-director Shunji Iwai. With the hazy, sentimental lens of his regular cinematographer Noboru Shinoda, Iwai’s early feature films explore pivotal moments in teenage life through the mundane challenges of the everyday. Audiences quickly embraced Iwai’s treatment of grief and love with his smash debut Love Letter, about a woman rediscovering her late fiancé through letters exchanged with his former classmate. Linked by their cold introductions, Iwai and Shinoda’s subsequent films – 1998’s April Story, about a shy girl’s move to university, and 2004’s romantic con-job hana & alice – trace the changing times as much as the changing hearts of their characters, and collapse style and substance into lyrical poetry. These “White Films” express Shunji Iwai’s unique view on young love and loneliness and exemplify the dreamy landscapes he nostalgically maps in his films.
SPECIAL EDITION COLLECTORS’ SET FEATURES:
4K digital restorations, approved by filmmaker Shunji Iwai, with new 5.1 surround soundtrack mix presented in DTS-HD Master Audio
One of the best films by one of Japan’s true masters of tragic melodrama, Mikio Naruse’s Yearning features Hideko Takamine as Reiko, a young widow devoted to the family of her husband who died during the Second World War. In his memory, she has rebuilt his family’s grocery store which was virtually destroyed in bombing raids, however a large grocery chain has moved in nearby and business prospects are looking dim. In this knot of traditional values and modern capitalism, Reiko must negotiate the unwanted attention of her young brother-in-law Koji (Yuzo Kayama), his plan to save the business and her place in their family, and her mother- and sisters-in-law who would prefer to disentangle themselves from her and move onto commercial fortune.
Juzo Itami frequently used his films to cast a critical eye on fragile Japanese masculinity and his 1996 romantic comedy Supermarket Woman is no exception, although he does swap out gangsters for the next worse thing: grocery store businessmen. In this vibrant and quirky story, Goro (Masahiko Tsugawa) is the manager of the struggling grocery store Honest Mart. His business is disorganized and uninspired, and it is under siege by Discount Demon, a rival supermarket undercutting Honest Mart with underhanded tactics. When Goro runs into old classmate Hanako (Itami’s wife and muse Nobuko Miyamoto), he hires the housewife to help him whip Honest Mart into shape and perhaps win this retail war!
Tissues on Aisle 四!
Both Naruse and Itami are looking to elicit some tears with their respective films, although one aims for sadness and the other hopes for laughs. Looking gorgeous in black and white widescreen thanks to the cinematography of Jun Yasumoto, Yearning pits traditional Japanese values and customs against the spreading ethics of capitalist ruthlessness and the film crushes its protagonist, Reiko, between them. In contrast, Itami’s colourfully comic Supermarket Woman supposes that old ideas of loyalty, honesty, and ingenuity can succeed in business and in life, making it a complimentary palette refresher following Naruse’s impressively wrought tragedy.
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The Criterion Collection, a continuing series of important classic and contemporary films presents A Place in the Sun.
Based on Theodore Dreiser’s landmark novel An American Tragedy, George Stevens’ A Place in the Sun is a swooningly noir-stained melodrama featuring Montgomery Clift as a handsome young man eager to win a place in respectable society. His ambitious dream seems to fall into place when he accepts a job offer from a wealthy relation and falls deeply in love with a beautiful socialite (Elizabeth Taylor), however a secret relationship with a factory girl (Shelley Winters) and her pregnancy threatens his future and inspires his murderous impulses. Called “the greatest movie ever made about America” by Charlie Chaplin, Steven’s film skillfully alternates between affluent, sun-washed romance and shadowy, fateful film noir, crafting an idealized vision of movie love against a sour portrait of the American dream and what lies beneath it.
New 4K digital master with uncompressed monaural soundtrack on the Blu-ray
Audio commentary with George Stevens Jr. and associate producer Ivan Moffat
New interview with film critic Imogen Sara Smith
George Stevens and His Place in the Sun, a 20-minute documentary on the making of the film
George Stevens: The Filmmakers Who Knew Him, archival interviews with Warren Beatty, Frank Capra, Joe Mankiewicz, Rouben Mamoulian, Antonio Vellani, Robert Wise, Alan J. Pakula, and Fred Zinnemann
The Criterion Collection, a continuing series of important classic and contemporary films presents You Can Succeed, Too.
Sing, dance, and get ahead with You Can Succeed, Too, the closest Japanese cinema ever came to a full-blown Broadway-style musical! Set in a tourism company looking to secure a big American client in the run up to the 1964 Tokyo Olympics, an ambitious salesman (jazz drummer and comedian Frankine Sakai) and his handsome, undemanding colleague (musician and actor Tadao Takashima) struggle to negotiate love and business amid the pressures of a booming Japanese economy and the American-style changes brought to their department by the president’s daughter (Izumi Yukimura). Featuring music from avant-garde composer Toshiro Mayuzumi and lyrics by renowned poet and translator Shuntaro Tanikawa, director Eizo Sugawa creates a musical comedy in the spirit of Frank Tashlin’s Will Success Spoil Rock Hunter? and Frank Loesser’s How to Succeed in Business Without Really Trying, celebrating and skewering Japan’s growing global profile with singing salarymen and dancing office workers.
High definition digital transfer with uncompressed monaural soundtrack on the Blu-ray
Audio commentary with actor Tadao Takashima
Audio interview with director Eizo Sugawa and actor Frankie Sakai
The Criterion Collection, a continuing series of important classic and contemporary films presents Maya.
Maya, a Hindu word describing magic and illusion, is embodied in Bella (Viviane Romance), a bewitching prostitute in an atmospheric port town who conjures the fantasies of visiting travelers and temporarily becomes the women of their dreams. The pragmatic Bella has no expectation of finding true love or leaving her profession until she meets Jean (Jean-Pierre Grenier), a passing sailor who saves her from the police and devotes himself to building a life with her, provided fate does not intervene. Based on Simon Gantillon’s successful play and produced by Viviane Romance herself, Raymond Bernard’s Maya deftly blends the styles and techniques of poetic realism, film noir, melodrama, and Cocteau-like fantasy to create a world of mystery and eroticism.
Restored high-definition digital transfer, with uncompressed monaural soundtrack on the Blu-ray
“The Film That Made You,” a 1989 conversation between Viviane Romance and Louis le Roy
Interview with film critic Italo Manzi on the casting and distribution