Maya (Raymond Bernard, 1949)

The Criterion Collection, a continuing series of important classic and contemporary films presents Maya.

Maya, a Hindu word describing magic and illusion, is embodied in Bella (Viviane Romance), a bewitching prostitute in an atmospheric port town who conjures the fantasies of visiting travelers and temporarily becomes the women of their dreams. The pragmatic Bella has no expectation of finding true love or leaving her profession until she meets Jean (Jean-Pierre Grenier), a passing sailor who saves her from the police and devotes himself to building a life with her, provided fate does not intervene. Based on Simon Gantillon’s successful play and produced by Viviane Romance herself, Raymond Bernard’s Maya deftly blends the styles and techniques of poetic realism, film noir, melodrama, and Cocteau-like fantasy to create a world of mystery and eroticism.

SPECIAL FEATURES

  • Restored high-definition digital transfer, with uncompressed monaural soundtrack on the Blu-ray
  • “The Film That Made You,” a 1989 conversation between Viviane Romance and Louis le Roy
  • Interview with film critic Italo Manzi on the casting and distribution
  • New English subtitle translation
  • PLUS: Essay by filmmaker Guy Maddin

Continue reading

Moonstruck (Norman Jewison, 1987)

The Criterion Collection, a continuing series of important classic and contemporary films presents Moonstruck.

In this award-winning, romantic comedy, Cher stars as Loretta, a widowed bookkeeper in Brooklyn who agrees to marry a mild-mannered man (Danny Aiello) even though she does not love him. Unlucky in love, she promptly falls for his estranged brother (Nicolas Cage), sparking a torrid affair with the moody, young man while her fiancé is absent at his mother’s deathbed. With wonderfully stylized dialogue by playwright John Patrick Shanley and a brilliant ensemble of supporting performances from Olympia Dukakis, Vincent Gardenia, John Mahoney, Julie Bovasso, Louis Guss, and Feodor Chaliapin Jr., Norman Jewison’s Moonstruck is a modern screwball classic and an operatic fable full of moonlit enchantment and the sweet charm of sugar cubes dissolved in champagne.

Disc Features:

  • New 4K digital restoration, with 5.1 surround DTS-HD Master Audio soundtrack on the Blu-ray
  • New interviews with director Norman Jewison, writer John Patrick Shanley, and actors Cher, Nicolas Cage, Olympia Dukakis, and Danny Aiello
  • Audio Commentary featuring Cher, Norman Jewison, and writer John Patrick Shanley
  • A Night at the Opera, musicologist Marcia Citron on opera, La bohème, and Moonstruck
  • Remarriage Italian Style, scholar William Day on Moonstruck and the comedy of remarriage
  • Moonstruck: At the Heart of an Italian Family, a featurette on the making of the film
  • Music of Moonstruck, a featurette on the film’s score
  • Trailer and TV spots
  • PLUS: An essay by scholar Mary Ann McDonald Carolan

Continue reading

White, White Storks (Ali Khamraev, 1966)

In an isolated and conservatively traditional Muslim village in Uzbekistan, a married woman, Malika, falls in love with a soft-spoken foreigner, Kayum, who has brought liberal Soviet attitudes and principles to the community, sometimes setting himself against the subordination of the town’s women by their male counterparts. Tensions rise as Kayum and Malika openly grow closer, raising the ire of Malika’s father and her husband as well as among those interested in maintaining the village’s old ways. A breakthrough film for Ali Khamraev, White, White Storks is a beautifully rendered docudrama that combines the textured honesty of Italian Neorealism, the family dynamics and tragedies of Yasujiro Ozu, and the poetry of Mikhail Kalatozov’s The Cranes Are Flying.

Continue reading

The Rugged Odysseys of Ali Khamraev

Eclipse is a selection of lost, forgotten, or overshadowed classics in simple affordable editions. Each series is a brief cinematheque retrospective for the adventurous home viewer.

An artist of rock-solid humanism and amazing expressive power, Ali Khamraev is a giant who sits astride the history of Uzbek cinema. A graduate of Moscow’s Gerasimov Institute of Cinematography in 1961, he went on to make more than thirty documentaries and twenty feature films – criss-crossing between romantic comedies, Western adventures, political dramas, TV mini-series, and art cinema. Through them all, Khamraev engages in the unveiling of traditional Muslim Uzbekistan and expresses a faith in the modernizing influence of Soviet values and technology. A wizard with landscapes and an instinctual expert of social dynamics, Ali Khamraev is truly an underappreciated master of world cinema.

White, White Storks (Belye, belye aisty)

Influenced by Mikhail Kalatozov’s black-and-white classic The Cranes Are Flying, the Italian Neorealist movement, and the interpersonal dramas of Yasujiro Ozu, Ali Khamraev traces the impossible romance of a married woman and an unconventional outsider in a small, traditional Uzbek village called “White Storks.”

The Seventh Bullet (Sedmaya pulya)

Set during the Central Asian revolts of the 1920s, a Red Army commander allows himself to be captured by a Basmachi warlord to reunite with his imprisoned battalion and lead them to victory in this Western-inspired adventure in the Soviet frontier.

The Bodyguard (Telokhranitel)

A grizzled mountain trapper and a conscientious revolutionary are tasked by a Red Army unit with the difficult task of transporting a captured sultan, along with his daughter and his loyal servant, through a harsh mountain landscape to a neighbouring province while pursued by a ruthless Bashmachi warrior.

Triptych (Triptikh)

This modernist political melodrama set in a small northern town in 1946 follows three women struggling with the social constraints of post-World War II Uzbekistan: an illiterate girl who wants to build a house on her own, a school teacher aiming to bring progressive ideas to the villagers, and an old woman kidnapped in her youth by a poor peasant and forced into marriage.

I Remember You (Ya tebya pomnyu)

In this semi-autobiographical meditation on the past, an adult son’s journey from Samarkand across Russia to find the grave of his father becomes a poetic voyage into his subconscious memory and an exploration of intersecting Uzbek and Russian traditions.

With notes by Kent Jones

Continue reading

To Sleep with Anger (Charles Burnett, 1990)

The Criterion Collection, a continuing series of important classic and contemporary films presents To Sleep with Anger.

Charles Burnett crafts a masterpiece of independent cinema with To Sleep with Anger, a magical realist exploration of a black middle-class family living in South Central Los Angeles. Family tensions are already simmering in the household of Gideon (Paul Butler) and Suzie (Mary Alice) when their old friend Harry Mention (Danny Glover in arguably his greatest performance) turns up on their doorstep unannounced looking for hospitality and a temporary roof over his head. Reminding them of their Southern roots, Gideon and Suzie cannot refuse his request but when Gideon mysteriously suffers from an unexpected stroke, Harry’s easy charm gives way to a malevolent spell that provokes turmoil throughout the family, setting son against son and reviving past hatreds. Burnett reveals himself as not just the master of poetic urban realism that created his classic first film, Killer of Sheep, but an expert interpreter of African-American folk culture and one of the great chroniclers of the American experience.

Disc Features:

  • 4K digital transfer, approved by director Charles Burnett, with uncompressed monaural soundtrack on the Blu-ray
  • The Trouble with Harry, an introduction by director Ernest Dickerson
  • New interviews with Burnett and actors Glover, Alice, Sheryl Lee Ralph, and Carl Lumbly
  • Trailer
  • PLUS: An essay by critic Andrew Chan

Continue reading

Elegant Beast (Yuzo Kawashima, 1962)

The Criterion Collection, a continuing series of important classic and contemporary films presents Elegant Beast.

In this contemporary melodrama scripted by Kaneto Shindo, director Yuzo Kawashima creates a scathing depiction of greed and hypocrisy in a society facing rapid modernization and Westernization. The small apartment of the Maeda family is transformed by inventive and meticulous cinematography into a claustrophobic battleground where cheating, embezzlement, and corruption are natural occurrences and where the Maedas are turned from swindlers to swindled by a beautiful but mercenary accountant played by Ayako Wakao in a virtuoso performance. Little know outside of Japan, Yuzo Kawashima’s Elegant Beast is an underappreciated masterpiece in filmmaking and a bitter statement on what it took to get ahead in post-war Japan.

Disc Features:

  • New 4K digital restoration, with uncompressed monaural soundtrack on the Blu-ray
  • New interview with critic, filmmaker, and festival programmer Tony Rayns
  • New program with Eric Nyari on the film and its restoration
  • Trailer
  • New English subtitle translation
  • PLUS: An essay by Japanese film scholar Tomoyuki Sasaki

Continue reading