MMC! concludes its short film preview of our next Criterion Collection proposal with Joseph Strick’s Oscar-winning documentary short, Interviews with My Lai Veterans (1970). With Haskell Wexler and Richard Pearce behind the camera, Strick interviews five former American soldiers involved in the My Lai Massacre of March 16, 1968, a search and destroy mission by the US military that killed hundreds of defenceless Vietnam civilians. Notwithstanding orders that barred them from speaking about the event, these veterans candidly describe the orders provided, the expectations that were held, and the brutality that proceeded. These accounts resisted the misinformation about the massacre circulating officially and offered chilling insights on some unimaginably outrageous acts.
Nothing says Christmas like a post-apocalyptic rumination on peace by anthropomorphic rodents and so MMC! happily presents Hugh Harman’s Peace on Earth (1939) and its Cinemascope remake, Joseph Barbera and William Hanna’s Good Will To Men (1955). Peace on Earth’s anti-war sentiment is expressed through a grandfather squirrel who describes the senseless self-destruction of humankind through war (guessed at as a battle between vegetarians and meat-eaters). The short’s rotoscoped depictions of gas masked soldiers are chilling and provide a rather staggering contrast to the pleasantly plump and happily caricatured animals that now claim domain over the Earth. Hanna and Barbera’s post-World War II version manages to be even grimmer in its details, taking images of infantry helmets and gas masks and adding flame-throwers, machine guns, bazookas, missiles, and nuclear annihilation. In doing so, Good Will To Men brings man’s capacity for mutual destruction into fearsome relief. Both of these MGM shorts garnered Academy Award nominations and Peace on Earth in particular has developed a reputation in the animation field as being Harman’s masterpiece and a heralded classic of the form.
To all those who stumble into the blog (intentionally or not), Make Mine Criterion! wishes you and yours a Merry Christmas and a happy holiday season!
Stay safe, share some love, and watch something amazing!
The Criterion Collection, a continuing series of important classic and contemporary films presents The Movie Orgy.
A send-up and a celebration of mid-century American kitsch, Joe Dante’s epic pop culture mash-up, The Movie Orgy, entertained college campuses through the late 1960s and 1970s, drawing upon an ever-changing library of ’50s drive-in movies, vintage commercials, TV westerns, and political speeches. Re-discovered and re-cut by Dante for a revival screening in 2008 into its 280 minute “Ultimate Version,” this legendary cinematic event is now available outside of theatres for the first time. SEE a colossal collage of nostalgia! SEE an experience of mind-rotting celluloid hysteria! SEE thousands of performers in roles that earned them obscurity! SEE bosomy starlets, juvenile delinquency, Christian puppetry, Elvis Presley, Groucho Marx, and Richard Nixon!
- High-definition digital transfer, supervised and approved by director Joe Dante, with uncompressed monaural soundtrack on the Blu-ray
- New interview with Dante
- Rated Z, archivist David Neary on the history and significance of The Movie Orgy
- Posters and promotional materials
- PLUS: An essay by director John Sayles
The Criterion Collection, a continuing series of important classic and contemporary films presents Monos.
On a far away South American mountaintop, a group of adolescent child soldiers guard a kidnapped American woman for the Organization, a bandit militia that demands complete obedience from the youngsters. When a borrowed milk cow is killed and a battle approaches their mountain refuge, the group is sent to guard their prisoner in the dense jungle below where resentments, paranoia, and power struggles turn into a nightmarish fight for authority and survival. Charged by Jasper Wolf’s crisp, concentrated cinematography and Mica Levi’s titantic score, Alejandro Landes creates a monumental and hallucinatory war film that evokes Joseph Conrad’s Heart of Darkness and William Goldings Lord of the Flies.
- 4K digital master, approved by cinematographer Jasper Wolf, with 5.1 surround DTS-HD Master Audio soundtrack on the Blu-ray
- New interviews with director Alejandro Landes, composer Mica Levi, actress Inés Efrón, and cast members
- Video diary shot during the film’s production
- PLUS: An essay by critic Manuel Betancourt
Alan Clarke’s Elephant (1989) is a short film made for television and produced by Danny Boyle and BBC Northern Ireland. Set amid the Troubles in Northern Ireland, the short presents 18 matter-of-fact murders with a coldly observational approach, providing limited dialogue and utilizing the predatory look of steadicam follow shots. The film takes its title from Irish writer Bernard MacLaverty’s description of the Troubles as “the elephant in our living room,” and it served as an inspiration to Gus Van Sant’s Elephant (2003), a film that likewise attended to the broader social problems that underlie American school-shootings and gun violence.
Clarke’s short is overdetermined in its intentions, being full of intense men and purposeful walks, yet it is also disturbing empty. Despite its apparent single-mindedness, there are no explanations of the hows and whys of its killings and there are nearly no sounds of surprise or panic, yet there is always the banality of violence and death, a lifeless body in a drab room and a getaway that rarely strays from the same purposeful walk. For more on Elephant and the psychology it embodies (or withholds) in its particular cinematography, MMC! offers Jordan Schonig’s impressive and insightful video essay, The Follow Shot: A Tale of Two Elephants (2018). Schonig’s essay provides a concise exploration of what may be contemporary cinema’s most ubiquitous and conspicuous shot and perfectly unpacks the themes and tensions at work in Clarke and Van Sant’s respective films.
The Saskatoon Fantastic Film Festival went globe-trotting to start Day 2. The “Drawn from Around the World” block of animated shorts offered some enthralling works. Many conveyed a sad or lamenting poignancy. Keiro (Tatiana Jusewycz, Benoît Leloup, Franck Menigoz, Zoé Nérot, and Charlotte Poncin, 2016) traced a girl’s journey to adulthood and its effect on the giant creature that accompanies her, Beyond the Books (Jérôme Battistelli, Mathilde Cartigny, Nicolas Evain, Maéna Paillet, Robin Pelissier, and Judith Wahler, 2017) envisioned the highly detailed collapse of an impossibly immense library, the Spanish short Dead Horses (Marc Riba and Anna Solanas, 2016) revealed the brutality of war from a child’s perspective and amid fabric devastation, and the Indian film Schirkoa (Asian Shukla, 2017) imagined political strife in a world where citizens wear bags and boxes on their heads. Others brought the funny, like Daniel Sterlin-Altman’s Hi, It’s Your Mother (2017), about motherhood, blood loss, and middle class living told in crude claymation, and Deuspi (Megacomputer, 2017), a very short work about a pair of astonishingly inept stick-up men and their hilarious fates.