The Criterion Collection, a continuing series of important classic and contemporary films presents They Shoot Horses, Don’t They?
On the Santa Monica Pier, in the shabby La Monica Ballroom, a bizarre Depression-era fad unfolds – the dance marathon. A worn out collection of hopefuls (Jane Fonda, Michael Sarrazin, Susannah York, Bonnie Bedelia, Red Buttons, and Bruce Dern) compete in hopes that a Hollywood casting agent spots them or that they at least win the contest’s $1,500 cash prize. But the competition is a grueling public spectacle, lasting thousands of hours and taking weeks to proceed, leaving dignity and salvation farther and farther away. Based on Horace McCoy’s brutally poetic novel and featuring stand-out performances including Gig Young’s award-winning role as the marathon’s huckstering emcee, Sydney Pollack’s seminal film puts a cap on 1960s idealism and paints a bleak portrait of the American Dream that still resonates today.
- New 2K digital transfer, presented with uncompressed stereo on the Blu-ray edition
- Audio commentary by director and producer Sydney Pollack
- Audio commentary with Jane Fonda, producer Irwin Winkler, former president of ABC Pictures and talent agent Martin Baum, Bonnie Bedelia, Michael Sarrazin, Red Buttons, and legendary hair stylist Sydney Guilaroff
- New interviews with actors Jane Fonda, Bruce Dern, and Bonnie Bedelia
- New interview with film critic Kim Morgan
- New interview with filmmaker Sarah Gertrude Shapiro discussing They Shoot Horses and introducing her 2013 short film Sequin Raze
- Original featurette on the making of the film
- PLUS: A booklet featuring an essay by film scholar Scott MacDonald, composer John Green’s musical continuity notes, Pollack’s forward to the screenplay, and notes, pictures, and diagrams taken from Pollack’s shooting script; a new paperback edition of McCoy’s original novel
Designed for the film lover in mind, SHOUT SELECT shines a light on films that deserve a spot on your shelf. From acknowledged classics to cult favorites to unheralded gems, SHOUT SELECT celebrates the best in filmmaking, giving these movies the love and attention they deserve.
“TENSE, TOUCHING … AND FASCINATING.” — LEONARD MALTIN
Oscar-winning* director Jean-Jacques Annaud transports audiences 80,000 years straight back in time to the last Ice Age with this accomplished prehistoric spectacle. Three Neanderthal men (Everett McGill, Ron Perlman, Nicholas Kadi) go on an epic journey of survival to bring fire back to their tribe, encountering along the way savage predators, dangerous cannibals, and a mysterious woman unlike any they have seen before (Rae Dawn Chong). Shot on location in Scotland, Iceland, Canada, and Kenya, this award-winning drama of early man’s survival is a singular cinematic experience and “a first-rate, compelling film about the dawn of man” (Video & DVD Guide).
* 1977: Best Foreign Language Film, Black and White in Color, Jean-Jacques Annaud
- NEW Hi-Def Transfer From The Negative, Scanned At 4K And Supervised By Director Jean-Jacques Annaud
- NEW Interviews With Director Jean-Jacques Annaud And Actors Ron Perlman, Everett McGill, Nicholas Kadi And Rae Dawn Chong
- Audio Commentaries With Director Jean-Jacques Annaud
- Audio Commentary With Producer Michael Gruskoff and Actors Ron Perlman and Rae Dawn Chong
- The Quest for Fire Adventure – TV Featurette With Orson Welles
- 15 Video Galleries With Director’s Commentary
- Interview With Director Jean-Jacques Annaud
- Backstage of Quest for Fire, a featurette for French television by Michel Parbot
- Trailers and TV Spots
MMC!‘s proposed collection of Tai Katô films continues with another exceptionally titled movie – Fighting Tatsu, the Rickshaw Man (1964). Adapted by Katô and Noribumi Suzuki from Gohei Kamiya’s novel, Shafu yukyoden – kenka tatsu (Fighting Tatsu‘s Japanese title) is a lighter take on the yakuza genre, injecting a romantic comedy into its story of mob politics and gang warfare. The film still manages its share of bloodshed, untimely deaths, and wild, riotous street fights to satisfy strict genre fans.
The movie opens in 1898 with scruffy and truculent rickshaw driver Tatsu (Ryôhei Uchida) arriving from Edo to Osaka ready to start his career with the town’s only rubber-wheeled carriage. Before even leaving the Victorian-designed train station, Tatsu bumps into a high-ranking official and gets into a brawl with him, his assistant, and his bodyguard. When told to mind his place and defer to the official, Tatsu proclaims that they live in a new era where all are “born equally now.” By these first few minutes, the film’s main character is immediately and perfectly defined – headstrong, independent, egalitarian, pugnacious – and no question is left as to how Fighting Tatsu will develop its dramatic conflicts.
The Criterion Collection, a continuing series of important classic and contemporary films presents The Whale God.
A small Japanese village is obsessed with killing a monstrous whale that has decimated its hunting parties. The town’s wealthiest man offers his land, position, and only daughter to the individual who can kill the demon whale. Shaki, a popular young man whose family has been massacred by the beast, steps forward vowing to slay the whale and avenge his relations, but his efforts are complicated by a brutish stranger to the village also intent on killing the monster and collecting on the promised riches. Based on Koichiro Uno’s award-winning novel published the previous year and scripted by visionary writer-director Kaneto Shindo, this loose adaptation of Herman Melville’s Moby Dick captures the madness and danger of whaling and combines it with period drama and kaiju monster effects.
- New, high definition digital restoration, with uncompressed monaural soundtrack on the Blu-ray
- New interview with Japanese film critic Tadao Sato
- New interview with Japanese-literature scholar Jeffrey Angles
- Theatrical trailer
- New and improved English subtitle translation
- PLUS: An essay by critic, novelist, and musician Chris D.
The Criterion Collection, a continuing series of important classic and contemporary films presents Random Harvest.
From the best-selling novel by James Hilton, author of Goodbye, Mr. Chips and Lost Horizon, comes one of Hollywood’s most sentimental romances and one of 1942’s biggest hits. Ronald Colman stars as Charles Rainier, an amnesiac World War I veteran who falls in love with beautiful music hall performer Paula Ridgeway (Greer Garson) until a sudden accident restores the man’s true identity while erasing from his mind his relationship with Paula. Charles returns to his privileged life to become a successful industrialist but struggles with an unshakeable longing, all while Paula secretly suffers posing as the businessman’s executive assistant. A box-office triumph honored with seven Academy Awards nominations, Random Harvest is a first class melodrama featuring two of the era’s most distinguished performers.
The Criterion Collection, a continuing series of important classic and contemporary films presents The Servant.
British class distinctions are abused and upended in Joseph Losey’s adaptation of Robin Maugham’s 1963 short novella, where Tony (James Fox), a rich, ineffectual Oxford bachelor, is gradually debased by the insidious influence of his newly hired manservant, Hugo Barrett (Dirk Bogarde). Despite the suspicions of Tony’s girlfriend Susan (Wendy Craig) and her opposition Hugo’s constant presence, Tony’s servant ingratiates himself to his naïve employer and becomes an indispensable facet of Tony’s lifestyle, all while slowly subjugating his employer through subtle manipulation. This superb, shadowy study of brooding decadence and corruption features the claustrophic cinematography of Douglas Slocombe, the uneasy jazz score of John Dankworth, and marks the first of three cinematic collaborations between Losey and celebrated playwright and screenwriter Harold Pinter.
- New 4K digital restoration, with uncompressed monaural soundtrack on the Blu-ray
- Introduction by experimental electronic musicians Matmos
- Interview with actor James Fox by actor-director Richard Ayoade
- Interviews with actors Wendy Craig and Sarah Miles, producer-director Stephen Woolley, Pinter-associate Harry Burton, and Dirk Bogarde biographer John Coldstream
- New interview with scholar Amy Sargeant on the design and context of The Servant
- Audio interview with cinematographer Douglas Slocombe
- Interview of screenwriter Harold Pinter from the 1965 British television show Tempo
- Archival interview with Joseph Losey on The Servant
- Excepts from the 1963 television show Camera Three featuring Losey, filmmaker Adolfas Mekas, New York Film Festival director Amos Vogel, and festival organizer Richard Roud
- Stills gallery
- Theatrical trailer
- PLUS: Booklet with essay by Peter Bradshaw and the 1948 novella by Robin Maugham