JAPAN’S JET ROCK ‘N’ ROLL SCI-FI ZOMBIE HORROR MASTERPIECE!
Ace, a rockabilly fan who really wants to be cool, is on his way to see his favorite rock band, Guitar Wolf, when some strange things occur … flying saucers invade the Earth and flesh-eating zombies rise from the grave! With the help of the (real life) Japanese rock-punk band Guitar Wolf, Ace negotiates an array of misadventures involving crazy rock managers in very tight shorts, transsexual love-interests, naked women shooting guns in the shower, and blood-thirsty zombies ready to tear them all apart! Music video director Tetsuro Takeuchi packs his début feature with everything you need: leather jackets, screeching feedback, laser guitar picks, motorcycles, muscle cars, and LOTS of fire! Think Dawn of the Dead meets Kiss Meets the Phantom of the Park with the humor of Evil Dead 2 and you start to approach riotous and ridiculous world of Wild Zero.
SPECIAL EDITION CONTENTS
- High Definition Blu-ray (1080p) presentation
- DTS-HD Master Audio 5.1
- Original Japanese soundtrack with optional, newly translated English subtitles
- Director Edgar Wright on Wild Zero
- Behind-the-scenes music video
- Guitar Wolf: Red Idol, director Tetsuro Takeuchi’s 2003 collection of videos, tributes, and live performances
- Original trailer
- Reversible sleeve featuring original and newly commissioned artwork by Rockin’ Jelly Bean
- FIRST PRESSING ONLY: Collector’s booklet featuring new writing on the film by Japanese film expert Tom Mes
The Criterion Collection, a continuing series of important classic and contemporary films presents A Face in the Crowd.
Before he brought Mayberry, North Carolina, into American homes and became an icon of moral rectitude as Sheriff Andy Taylor, Andy Griffith burst onto cinema screens as Lonesome Rhodes, a charismatic drifter with a canny, down-home wit and an avaricious taste for status and influence. After charming Arkansas radio reporter Marcia Jeffries (Patricia Neal) and becoming a local media star, Rhodes leverages his growing popularity into national television fame and a trusted position among political and industrial power-brokers. Gradually Rhodes is corrupted by his own success and his laid-back attitude gives way to a monstrous off-camera personality. With stand-out supporting performances by Walter Matthau, Anthony Franciosa, and Lee Remick, director Elia Kazan and screenwriter Budd Schulberg create a roaring statement against grassroots fascism, advertising fakery, and the pernicious influence of television on the political process.
The Saskatoon Fantastic Film Festival’s final day was even more massive than expected. With a packed program and an extra short film (moved from the previous day due to a technical issue), there was little downtime between screenings and the Festival’s final midnight show started late and wrapped well past 2:30 a.m. Those that saw the marathon day of screenings to its bleary end enjoyed without question the SFFF’s best block of films (plus some welcome giveaways for lucky attendees).
Even before I arrived in Saskatoon, I felt like Fantastic Film Festival-action was meeting me like a herald of things to come. It had something to do with the man waiting at my flight’s gate conspicuously wearing a black eyepatch that threatened spy movie villainy. It also had something to do with the man behind me in security and his laptop that tested positive for “explosive residue.” Fortunately for me, action-thrillers weren’t slated until Day 2 of the Saskatoon Fantastic Film Festival and my flight proceeded without complication, bringing me to Day 1 of SFFF and a block of films featuring some disturbed title characters.
While I keep trying to work out the best approach to the next MMC! proposal, let’s wonder at the trippy, loopy joy that is Double King. This hilarious tale of rippling, obsessive regicide trended hard earlier this year, but maybe a reminder for one of 2017’s best films (short or feature-length) is now in order. Give all the credit goes to Australian artist Felix Colgrave who took two years to create Double King and even composed the short’s music.
Fans of this and Colgrave’s other work can head over to his corner of Society6 and pick up some sweet gear! Get me something too!
I’ve been catching up on short films lately and filling out my “Top Films of 2017” list. One favourite has been Makoto Nagahisa’s And So We Put Goldfish in the Pool (2017), the Short Film Grand Prize Jury Winner at Sundance earlier this year. The short follows Mayu (Reina Kikuchi), Tamiko (Rina Matsuyama), Ryoko (Marin Nishimoto), and Akane (Nina Yukawa), a quartet of rebellious sixteen year-olds unfulfilled in their hometown of Saitama and who release 400 goldfish in their high school swimming pool. Nagahisa aimed to emphasize “speed, dialogue, and sound” in Soushite watashitachi wa pûru ni kingyo o and the short draws quick comparisons to Edgar Wright for its exuberant style. For those won over Nagahisa energetic portrait of teenage apathy and cynicism, we encourage you to explore his previous works in music video and commercial film profiled on his website.