Luz (Tilman Singer, 2018) – Ithaca Fantastik 2018


On a dark and stormy night in an unnamed German city, a young taxi driver named Luz (Luana Velis) arrives at a police station in a state of shock. Meanwhile, at a nearby bar, the mysterious psychiatrist Dr. Rossini (Jan Bluthardt) is approached by Nora (Julia Riedler), a woman with a disconcerting manner and an unexpected connection to Luz. They strike up a conversation over drinks and before it’s too late, Rossini falls into the thrall of a malevolent force intent on finding Luz. When Dr. Rossini arrives at the station to hypnotize Luz and assist in taking her statement, a claustrophobic journey into anxiety-inducing horror reaches a terrible crossroads.

Shot on 16mm with impeccable visuals, Tilman Singer’s audacious art school thesis project is an unexpected horror revelation. An experimental shocker with an irresistible retro vibe, this first feature fluidly assembles elements from the horror and art house cinema of the 1970s and ’80s, deftly deconstructing the demonic possession narrative and turning a simple police station into an intersection for the occult.

Special Edition Contents:

  • High Definition Blu-ray (1080p) presentation
  • 5.1 DTS-HD Master Audio and Uncompressed Stereo PCM
  • Newly translated English subtitles
  • Optional English subtitles for the deaf and hard of hearing
  • Feature-length audio commentary with writer/director Tilman Singer
  • Under the Influence, new interviews with actors Luana Velis, Jan Bluthardt, Julia Reidler, Nora Vanderkurt, and Johannes Benecke
  • New interviews with Singer, director of photography Paul Faltz, production designer Dario Mendez Acosta, composer Simon Waskow, and sound designers Jonas Lux, Henning Hein, and Steffen Pfauth
  • Original theatrical trailer
  • Reversible sleeve featuring two artwork choices

FIRST PRESSING ONLY: Illustrated collector’s booklet featuring new writing on the film by horror film journalist Heather Wixson

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SFFF Day 3 – Hard Knock Lives

‘Stead of treated, the kids were getting tricked on Day 3 of the Saskatoon Fantastic Film Festival. Certainly the SFFF’s most celebrated film was Issa López’s festival darling Tigers Are Not Afraid (2017). MMC! has discussed López’s film on more than one of occasion, and so we’ll take its greatness as read and briefly discuss Jérémy Comte’s Fauve (2018), a Canadian short that feels tailor-made to open for Tigers. A Special Jury Prize-winner at this year’s Sundance Film Festival, Fauve concerns a pair of boys exploring a surface mine who “sink into a seemingly innocent power game with Mother Nature as the sole observer.” The short brings to mind Gus Van Sant’s Gerry (2002) and a very specific John Mulaney joke about an impression he had as a child, but these glib comparisons belie the truly heartbreaking nature of Comte’s film. Fans of Tigers would be well served to seek out Fauve.

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SFFF Day 4 – Go Big and Go Home

The Saskatoon Fantastic Film Festival’s final day was even more massive than expected. With a packed program and an extra short film (moved from the previous day due to a technical issue), there was little downtime between screenings and the Festival’s final midnight show started late and wrapped well past 2:30 a.m. Those that saw the marathon day of screenings to its bleary end enjoyed without question the SFFF’s best block of films (plus some welcome giveaways for lucky attendees).

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SFFF Day 2 Report – Seizures and Non Sequiturs

saskatoon_fantastic_film_festivalSaskatoon is slightly warming as the week proceeds. I’m reluctant to say this is directly attributable to the Saskatoon Fantastic Film Festival but after a surprisingly strong Day 2, I see no other credible explanation for it. Including the What the Hell! – Totally Messed Up Short Films block, Day 2 offered 16 different works for consideration, injecting a heavy dose of bizarro randomness into the Festival and creating a decidedly different tone from the previous day’s atmospheric horror extravaganza.

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Phoenix Tapes (Christoph Girardet and Matthias Muller, 1999)

The Criterion Collection, a continuing series of important classic and contemporary films presents Phoenix Tapes.

criterion logoCut together from 40 of Alfred Hitchcock’s films, Christoph Girardet and Matthias Müller’s 6-part Phoenix Tapes is a surreal collage of the master director’s themes, motifs, gestures, and objects in a pure cinematic experience.  More than a mere catalogue of Hitchcockian fetish objects and complexes, Girardet and Müller reconnect us to original experience of Hitchcock’s films by removing the familiar context of those sounds and images.  In doing so, Phoenix Tapes examines the uncanny fear specific to the master of suspense and through those Oedipal traps, guilty consciences, maternal obsessions, and murderous desires, explores the dark recesses of cinema’s own collective unconscious.

Disc Features:

  • New high-definition digital restoration, approved by Christoph Girardet and Matthias Müller, with uncompressed monaural soundtrack on the Blu-ray edition
  • New interviews with Girardet and Müller on selected works
  • Short films by Girardet and Müller, including Manual (2002), Beacon (2002), Play (2003), Mirror (2003), Kristall (2006), Maybe Siam (2009), Contre-jour (2009), Meteor (2011) and Cut (2013)
  • PLUS: A booklet featuring essays by film scholars Thomas Elsaesser, Dominique Païni, Sally Shafto, and filmmaker Guy Maddin

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Great Freedom No. 7 (Helmut Kautner, 1944)

The Criterion Collection, a continuing series of important classic and contemporary films presents Great Freedom No. 7.

criterion logoSet in a dive bar in Hamburg, Helmut Käutner’s first color film focuses on the unhappy life of the “singing seaman” Hannes Kröeger (Hans Albers), an entertainer who performs for an audience of prostitutes and sailors on leave.  Hannes is obliged by his dying brother to care for his former mistress Gisa (Ilse Werner) and soon falls madly in love with the young woman.  Gisa is torn between the singer and a young dockworker who courts her, leaving Hannes to struggle between pursuing her and a new life together, remaining in his cabaret, or finally returning to sea as a true sailor once again.  Titled after the street where the cabaret is located in Hamburg’s red light district, Great Freedom No. 7 is emblematic of Käutner’s humane storytelling and his aesthetic resistance to the film culture of the Third Reich.

Disc Features:

  • New digital master, with uncompressed monaural soundtrack on the Blu-ray edition
  • Audio commentary by German film scholar Eric Rentschler
  • Terra in Agfacolor, a new video essay with German film historian R. Dixon Smith on Terra film studios and the Agfacolor film process
  • Collection of downloadable songs performed by Hans Albers
  • New and improved English subtitle translation
  • PLUS:  A booklet featuring new essays by German film scholar Rembert Hueser and Helmut Käutner historian Robert C. Reimer

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