FROM STUMBLING TO RUMBLING!
Branded as the most hated man in professional wrestling after winning the WCW World Heavyweight Championship in 2000, actor David Arquette attempts a rocky return to the sport that stalled his promising Hollywood career. Despite having two stents in his heart, being under treatment for depression and anxiety, and exhibiting functioning alcoholism, the 47 year-old actor dangerously commits himself reclaiming his self-respect in the squared circle. Arquette’s journey takes him to the backyards of amateur wrestling in Virginia, the fast-paced style of Tijuana’s lucha libre shows, and near-fatal hardcore deathmatches. Along the way, he puts his health, his credibility, and his marriage on the line, but Arquette’s determination to earn a respected place in the world of pro-wrestling cannot be denied.
Part car-wreck, part inspirational Rocky-docky, You Cannot Kill David Arquette is a fascinating look into the closed world of pro-wrestling and a portrait of the physical toll and unbridled passion required to perform in its peculiar brand of theatre. Appearing alongside David Arquette are his wife/producer Christina McLarty Arquette, his siblings Patricia, Rosanna, and Richmond, his ex-wife Courtney Cox, and wrestling legends including Ric Flair and Diamond Dallas Page.
Special Edition Contents:
- High Definition Blu-ray (1080p) presentation
- 5.1 DTS-HD Master Audio and Uncompressed Stereo PCM
- Optional English subtitles for the deaf and hard of hearing
- Two feature-length audio commentaries, one with directors David Darg and Price James and one with David Arquette and Christina McLarty Arquette
- Full matches between David Arquette and Nick Gage, RJ City, Mr. Anderson, Jungle Boy, and others, with introductions and alternate commentaries by Arquette and City
- Outtakes and extended interviews
- This is the End, a new interview with wrestling historian Dave Meltzer on David Arquette’s reign as WCW Heavyweight Champion
- New video tribute to the song “You Cannot Kill David Arquette” by The Black Math Experiment
- Original theatrical trailer
- Reversible sleeve featuring two artwork choices
FIRST PRESSING ONLY: Collector’s booklet featuring new writing by wrestling critic Andy Murray
The Criterion Collection, a continuing series of important classic and contemporary films presents The Happiest Day in the Life of Olli Mäki.
In the summer of 1962, small town Finnish baker Olli Mäki (Jarkko Lahti) has a shot at the world featherweight boxing title held by dominating American champion Davey Moore. Olli is thrust from his countryside home into a fraught training camp with the pressures of national stardom and a draining publicity circuit, but he has bigger problem – he has just fallen in love with a sweet country girl (Oona Airola) and can think about little else. Based on a true story, Juho Kuosmanen’s exquisitely lyrical, verité-styled inversion of the sports biography won the Un Certain Regard Prize, charming Cannes audiences with its gentle humor and bittersweet romance.
- High-definition digital master, supervised by cinematographer Jani-Petteri Passi, with 5.1 surround DTS-HD Master Audio soundtrack on the Blu-ray
- New interview with director Juho Kuosmanen, production designer Kari Kankaanpää cinematographer Passi
- New interviews with actors Jarkko Lahti, Oona Airola, and Eero Milonoff
- Roadmarkers (2007), Citizens (2008), and The Painting Sellers (2010), three award-winning short films by Kuosmanen
- New English subtitle translation
- PLUS: A new essay by critic Manohla Dargis
Anyone who’s seen my Letterboxd account knows I’m a big fan of ESPN’s 30 for 30 documentaries. I’ve also alluded here at MMC! to my wife’s love of running. With that in mind, I thought I’d get 2017 off on the right foot with Gabe Spitzer’s Every Day (2015), a portrait of elderly runner Joy Johnson that I saw for the first time this week and left both me and my wife teary-eyed by its end. Johnson didn’t begin running until age 59 but became an accomplished distance runner nonetheless, completing numerous races at various distances, running the New York City Marathon 25 consecutive times, posting a best time at NYC in 1999 at 3:55:30 while age 73, and even running the Twin Cities Marathon and New York City Marathon just 4 weeks apart at the age of 81. Watching Joy should offer some ambition in facing 2017.
Einar Baldvin’s The Pride of Strathmoor (2014), the animator’s thesis project for USC, presents extracts from the fictional journal of Pastor John Deitman of Strathmoor, Georgia, from June and July, 1927. Inspired by Martin Scorsese’s Raging Bull (1980), The Pride of Strathmoor resembles the racist mind of H. P. Lovecraft as illustrated by Ralph Steadman and makes for an unsettling work of madness and the macabre.
A lot of time has been spent lately watching short films and some new favourites have been found, particularly from The All-Nighter Room, a Brooklyn based production company founded by Mickey Duzyj and specializing in distinctive animated and documentary shorts. First up is Duzyj’s The Shining Star of Losers Everywhere (2016), the story of Haru Urara, a Japanese racehorse with a massive losing-streak that became a national symbol of perseverance and pride in hard economic times. Next is Mickey Duzyj and Jeremy Johnstone’s Emmy and Webby nominated The Perfect 18 (2014) about IT manager Rick Baird’s perfect round of Putt Putt golf. Both films offer Duzyj’s clean, spare animation design, with the former subtly using colour to represent the expanding popularity of Haru Urara and the latter deploying this crisp style to elaborate on the precision required of competitive miniature golf. Both of these films are surprisingly affective and use the short film format to avoid allowing their subjects to become overblown.
THE GREATEST VAMPIRE WESTERN-MUSICAL EVER MADE ABOUT SNOOKER!
Set within a twilight labyrinth of concrete corridors and bunker-like rooms, director Alan Clarke plays out a musical grudge match between conflicting generations of master snooker players. On one side is Billy the Kid (Phil Daniels), a cocky young cockney decked out as an Old West outlaw. On the other is seven-time world champion Maxwell Randall (Alun Armstrong as the Green Baize Vampire), a bloodsucking traditionalist resentful of his young challenger. Manipulated by his manager T.O. (Bruce Payne as “The One”) and a scheming loan shark called the Wednesday Man (Don Henderson), Billy agrees to a seventeen-frame snooker match against Randall where the loser will put down his cue forever. Can Billy vanquish his foe or does the Wednesday Man have some more tricks up his sleeve?
Featuring music by celebrated composer George Fenton and inspired by the rivalry between true-life snooker players Ray Reardon and Jimmy White, Alan Clarke’s Billy the Kid and the Green Baize Vampire is an uncharacteristic foray into fantasy by a British master of gritty realism. The result is an astonishingly strange and captivating work that resembles a musical adaptation of The Hustler if remade by Ken Russell.
- New high definition transfers of the film in its 93-minute and 121-minute versions
- High-Definition Blu-ray (1080p) and Standard DVD Presentation
- Original 2.0 and 5.1 Dolby Surround Options
- Optional English SDH subtitles for the deaf and hard of hearing
- Making BTK – Extensive interviews on the film’s making with cinematographer Clive Tickner, composer George Fenton, production designer Jamie Leonard, costume designer Tudor George, and editor Steve Singleton
- Shooting from the Hip, a brand new interview with Phil Daniels made especially for this release
- Biting Back, a new interview with Alun Armstrong made especially for this release
- Being #1, a brand new interview with Bruce Payne
- Sullivan Reporting, a new interview with Louise Gold
- Bride of the Green Baize Vampire, a brand new interview with Eve Ferret
- Sports Life Stories: Jimmy White, an ITV documentary on Jimmy White, the inspiration for Billy the Kid
- Archival interview with Ray “Dracula” Reardon, the inspiration for Maxwell Randall, on the eve of the 1981 World Snooker Championship
- Illustrated collector’s booklet featuring new writing by Michael Brooke