Welcome to 2020!
MMC! kicks off a new year of imagined releases of favourite movies (and various other miscellany) with one of 2019’s favourite short film discoveries — Matthew Rankin’s Negativipeg (2010). Rankin’s The Twentieth Century (2019) was a favourite of the 2019 Saskatoon Fantastic Film Festival and MMC! happily gorged itself on Rankin’s various short works as well. Both the shorts and Rankin’s first feature are typified with DIY inventiveness, satirical humour, and spectacular visuals that easily inherits the prairie postmodern tradition of filmmakers like Guy Maddin and John Paizs, however this post celebrates an outlier in Rankin’s filmography.
Negativipeg is a fascinating documentary on Rory Lepine’s 1985 encounter in a 7-Eleven with Winnipeg rock legend, Burton Cummings of The Guess Who. Lepine, who was 19 when he put the boots to Burt in that North End Sev’, served 4 months in prison for the beating given to Cummings and the incident became emblematic of the longstanding tension between the musician and his former hometown, neither of whom felt loved enough in the eyes of the other. While lacking the visual wonder of Rankin’s later work, the short is captivating and easily stands as the most Winnipeg-like thing I’ve ever seen on screen – the shuttered homes, the bleakness of winter, Lepine’s particular accent and his code for life in the North End, the love-hate relationship toward Cummings and the ongoing question of his local credentials after getting big, and the Pizza Pops. Rankin dresses Negativipeg in droll Errol Morris-like eccentricity and incisiveness, creating something that is equal parts hilarious, tragic, and perplexing and all conveyed in an exceptionally local vernacular. As wonderful as Guy Maddin’s My Winnipeg (2007) may be, Rankin’s Negativipeg may cut even closer to the bone in revealing the city’s essence.