The Criterion Collection, a continuing series of important classic and contemporary films presents Straight Time.
In this highly underrated classic of ’70s crime cinema, Dustin Hoffman shrewdly stars as Max Dembo, an ex-con just released from a six-year stretch in prison for armed robbery and struggling to go straight while under the oversight of his smug parole officer. Despite finding a job, a home, and even a girl of his own, Max remains trapped in an unrelenting criminal system until he breaks free with ruthless, criminal abandon and tragic consequences. Adapted from Edward Bunker’s No Beast SoFierce, featuring a score by David Shire, and boasting a terrific supporting cast including Theresa Russell, Harry Dean Stanton, Gary Busey, M. Emmet Walsh, and Kathy Bates, Ulu Grosbard’s Straight Time is a lean and bitter portrait of inevitable recidivism.
New 4K digital master with uncompressed monaural soundtrack on the Blu-ray edition
Audio commentary from 2007 with director Ulu Grospard and actor Dustin Hoffman
New interviews with actors Hoffman, Theresa Russell, and Kathy Bates
Straight Time: He Wrote It For Criminals, a 1978 documentary on writer Edward Bunker and the making of the film
English subtitles for the deaf and hard of hearing
The Criterion Collection, a continuing series of important classic and contemporary films presents David Byrne’s American Utopia.
Deeply reflective and exceptionally high-spirited, David Byrne’s theatrical concert American Utopia stormed Broadway with the ex-Talking Head’s mix of iconic music and quirky ideas. With a collection of eleven talented musicians, singers, and dancers supporting him and informed by the work of James Baldwin, Janelle Monáe, Hugo Ball, and Kurt Schwitters, the show plucked at the connections between us and aimed to start making sense of it all. With director Spike Lee commemorating the show for the screen, David Byrne’s American Utopia transforms the stage production into an immersive, dynamic cinema experience that radiates with astounding performances, inventive contemporary dance, and political urgency. A clarion call for protest, compassion, and shared responsibility and a new masterpiece among concert films, David Byrne’s American Utopia is the life-affirming rock-doc arriving at precisely the right time, ready to burn down the house.
4K digital master, approved by director Spike Lee and David Byrne, with 5.1 surround DTS-HD Master Audio Soundtrack on the Blu-ray
Start Making Sense, a roundtable conversation with Lee, Byrne, musician Janelle Monáe, and critic Ashley Clark
One Fine Day, a new program of interviews with Lee, Byrne, and the film’s cast of performers
Slippery People, a conversation between choreographer Annie-B Parson and cinematographer Ellen Kuras
Remain in Light, an exploration of American Utopia stage design and its innovative lighting
In a dreary Michigan suburb, aggro punk rocker Simon (Kyle Gallner) finds himself on the run after a bout of arson and a close call with the police. A chance encounter with eccentric and socially awkward Patty (Emily Skeggs) provides him a place to hide from the law, though she fails to realize that her new friend is the anonymous lead singer of her favourite band. The pair embark on a series of misadventures and while their radically different personalities make them an unlikely duo, Simon and Patty realize that they have a lot more in common than first expected.
Dinner in America is an ode to the ’90s Nebraska punk-scene of writer-director Adam Carter Rehmeier and a hilarious underdog love story boosted by a generous helping of absurdity and some instantly quotable dialogue. Set to the beat of brilliant original songs and perfectly casting Skeggs and Gallner as a suburban Bonnie and Clyde, Dinner in America is a wild and empowering ride through the places and people of Middle America — in all their peculiar forms.
Special Edition Contents:
High Definition Blu-ray (1080p) presentation
5.1 DTS-HD Master Audio and Uncompressed Stereo PCM
Optional English subtitles for the deaf and hard of hearing
Feature-length audio commentary with director Adam Carter Rehmeier and producer Ross Putman
One Night Only, new interview on the film’s music with Rehmeier, Emily Skeggs, Kyle Gallner, and composer John Swihart
Freedom from Want, new interviews with supporting cast members Lea Thompson, Mary Lynn Rajskub, Pat Healy, and Griffin Gluck
Straight Shooting, new interview with cinematographer Jean-Philippe Bernier
Apocalypse Yow, new interview with musician and actor David Yow
Detroit Punk City, stories from cast and crew on the shoot
Outtakes and deleted scenes
Original theatrical trailer
Soundtrack CD including a remix of “Watermelon” by Bernier
Reversible sleeve featuring two artwork choices
FIRST PRESSING ONLY: Illustrated collector’s booklet featuring new writing on the film by producer-director Ant Timpson
The Saskatoon Fantastic Film Festival’s final day kicked off by wrapping up its body horror retrospective with Philip Brophy’s Body Melt (1993). MMC!imagined an Arrow Video edition of the film earlier this summer, back when word of its restoration began circulating. The film now has a packed Blu-ray release compliments of Vinegar Syndrome, bringing this lesser known wonder to the world. The SFFF paired Body Melt with Chris McInroy’s practical effects-based We Summoned a Demon (2018), a fun and goofy short about a couple of guys who just want to be cool and end up summoning a demon. Overall, a fun way to start the Festival’s end.
I had planned to wind up MMC!‘s coverage of the Chattanooga Film Festival with an imagined Arrow Video edition of Ryan Prows’s Lowlife (2017) but no sooner had I done my research and began writing did Shout! Factory announce a Blu-ray edition of the film slated for release on August 7. I’m usually pretty stoked to cross any film off my list of potential MMC! subjects as their circulation is far more gratifying than writing about them here, but I’m a little disappointed not to discuss Lowlife at greater length. I have stumped for Lowlife a fairamountalready so let’s instead spend some time with three of Prows’s earlier shorts films, all of which seem to be working through some of the themes and concerns at play in Lowlife and all of which should be included as special features on the upcoming Blu-ray edition.
In case you’ve forgotten, here is a quick refresher on Lowlife taken from the film’s press kit.
When a simple organ harvesting caper goes awry, a twist of fate unites three of society’s forgotten and ignored: EL MONSTRUO, a disgraced Mexican wrestler working as hired muscle for a local crime boss. CRYSTAL, a recovering addict desperate enough to arrange a black market kidney transplant to save her husband’s life. And RANDY, a loveable two-strike convict fresh out of prison, cursed with a full-face swastika tattoo and a best friend guilting him into some hair-brained kidnapping scheme.
As the sordid lives of these small-time criminals collide, they must fight tooth and nail to save a pregnant woman from a certain, and surely gruesome, death.
THE GREATEST VAMPIRE WESTERN-MUSICAL EVER MADE ABOUT SNOOKER!
Set within a twilight labyrinth of concrete corridors and bunker-like rooms, director Alan Clarke plays out a musical grudge match between conflicting generations of master snooker players. On one side is Billy the Kid (Phil Daniels), a cocky young cockney decked out as an Old West outlaw. On the other is seven-time world champion Maxwell Randall (Alun Armstrong as the Green Baize Vampire), a bloodsucking traditionalist resentful of his young challenger. Manipulated by his manager T.O. (Bruce Payne as “The One”) and a scheming loan shark called the Wednesday Man (Don Henderson), Billy agrees to a seventeen-frame snooker match against Randall where the loser will put down his cue forever. Can Billy vanquish his foe or does the Wednesday Man have some more tricks up his sleeve?
Featuring music by celebrated composer George Fenton and inspired by the rivalry between true-life snooker players Ray Reardon and Jimmy White, Alan Clarke’s Billy the Kid and the Green Baize Vampire is an uncharacteristic foray into fantasy by a British master of gritty realism. The result is an astonishingly strange and captivating work that resembles a musical adaptation of The Hustler if remade by Ken Russell.
New high definition transfers of the film in its 93-minute and 121-minute versions
High-Definition Blu-ray (1080p) and Standard DVD Presentation
Original 2.0 and 5.1 Dolby Surround Options
Optional English SDH subtitles for the deaf and hard of hearing
Making BTK – Extensive interviews on the film’s making with cinematographer Clive Tickner, composer George Fenton, production designer Jamie Leonard, costume designer Tudor George, and editor Steve Singleton
Shooting from the Hip, a brand new interview with Phil Daniels made especially for this release
Biting Back, a new interview with Alun Armstrong made especially for this release
Being #1, a brand new interview with Bruce Payne
Sullivan Reporting, a new interview with Louise Gold
Bride of the Green Baize Vampire, a brand new interview with Eve Ferret