Short films led the charge on the Saskatoon Fantastic Film Festival’s third day with an eight film block of female focused shorts and another two short films that could have probably fit into the same section. Readers of last year’s coverage might recall my frustration with shorts that offer little more than spooky premises or creepy contexts, however you’ll find few such complaints amongst Day 3’s titles. Yfke van Berckelaer’s Lili (2019), an MMC! favourite at this year’s Buried Alive Film Festival, was screened, as did the Chattanooga Film Festival short, Sydney Clara Brafman’s gory and brief The Only Thing I Love More Than You is Ranch Dressing (2018). Adele Vuko’s The Hitchhiker (2018) was an entertaining blend of female road trip goodwill, real world violence, and well-timed supernatural intervention and was probably the easiest short to enjoy on Day 3. Valerie Barnhart’s Girl in the Hallway (2019) offered a true crime tragedy that powerfully wrestled with guilt, grief, and inaction through pained and worn stop-motion animation. Daniel DelPurgatorio returned to the SFFF with In Sound, We Live Forever (2019), a beautiful short in the agrarian horror mode that finds two young lovers beset by a monstrous killer in the rural American heartland. The short looks gorgeous, contrasting the serenity of its pastoral present against the intimacy and then terror of its past tense soundtrack, and it elegantly pivots into the full present tense to depict a desperate escape and a grim conclusion that posits the monstrous violence of the genre but also a kind of existential smallness that makes its horror seem almost meaningless.
The Vast of Night
The 2019 Fantastic Fest in Austin, Texas, announced its first wave of titles late last month and a second wave of titles earlier today. The Festival is shaping up nicely with an exciting line-up of expectedly peculiar movies. MMC! is stoked for some of these films, so let’s take a look at a dozen bonkers trailers (and read some brief Fantastic Fest summaries) before this Tuesday runs out!
(MMC! doesn’t have any plans to be around Austin during September 19 to 26, but if anyone wants to throw some press credentials at our lowly corner of the blogosphere, MMC! wouldn’t stop you!)
Opening night of Fantastic Fest kicks off with the premiere of Taika Waititi’s JoJo Rabbit (2019). This anti-hate satire apparently made Disney execs less than comfortable during a screening last week and reports state that the studio is more than a bit nervous about this inherited Fox project. That alone make JoJo Rabbit sound worth its ticket price!
“Writer-director Taika Waititi (THOR: RAGNAROK, HUNT FOR THE WILDERPEOPLE), brings his signature style of humor and pathos to his latest film, JOJO RABBIT, a World War II satire that follows a lonely German boy (Roman Griffin Davis as JoJo) whose world view is turned upside down when he discovers his single mother (Scarlett Johansson) is hiding a young Jewish girl (Thomasin McKenzie) in their attic. Aided only by his idiotic imaginary friend, Adolf Hitler (Taika Waititi), Jojo must confront his blind nationalism.”