The second day of the Saskatoon Fantastic Film Festival leaned into bad behaviour, mostly by men, mostly among (supposed) friends. The program started light with Brent Hodge’s Who Let The Dogs Out (2019), an MMC! favourite of this year’s Calgary Underground Film Festival. Hodge, Alberta-born and in attendance at the SFFF, has found a niche with his self-described “comedy documentaries” like Freaks and Geeks: The Documentary (2018), I Am Chris Farley (2015), and A Brony Tale (2014), and Who Let The Dogs Out further confirms Hodge’s mastery of the subgenre. Devoted to the Baha Men’s 2000 hit “Who Let The Dogs Out,” its myriad authorship claims, and its various legal battles among friends and stranger alike, Hodge distills Ben Sisto’s eight-year exploration and three-hour lecture on the track into a tight, enthralling 62-minute doc. Sisto acts as the song’s scruffy biographer, travelling the world’s music studios, courtrooms, and high schools to trace the origin of the song’s ubiquitous catchphrase. This BOSUD (a “biopic of someone undeserving,” to use Dennis Bingham’s terminology) is a definite crowd-pleaser, being far more fascinating that its novelty subject matter should allow for. The SFFF was the last festival stop for Who Let The Dogs Out as it now transitions to cable and streaming platforms. Look for it on Crave in Canada!
The Calgary Underground Film Festival kicks off a week of cinematic goodness with tonight’s screening of Abe Forsythe’s zombie comedy Little Monsters and MMC! couldn’t be happier! CUFF 2019 looks stacked with great titles sure to satisfy cinephiles looking to scratch hard to reach places. Eccentric documentaries, up and coming indie mavericks, art house genre masterpieces, and all around weirdness are waiting to be discovered at Calgary’s Globe Cinema this week. MMC! has seen almost half of CUFF’s programmed features already and so we are happy to point the way for those looking to navigate this great roster of titles.
Knife + Heart (Yann Gonzalez)
I’m not sure how many times MMC! can keep waving the flag for Yann Gonzalez’s Knife + Heart. It was our favourite film at the 2018 Saskatoon Fantastic Film Festival and landed at #17 on MMC!‘s top 20 films of 2018. This sex-positive, queer riff on Italian giallo cinema is lushly sleazy in all the right ways, beautifully merging art cinema sophistication and exploitation sinema salaciousness. Set in the Parisian gay porn industry of 1979, Vanessa Paradis impresses as a third-tier production company’s matriarchal head struggling with the murders of her cast by a leather masked killer. Gonzalez makes no half-steps in Knife + Heart and viewers are rewarded with outlandish porn scenes, wild physical deformities, truly phallic murder weapons, and even a bizarre bear attack. This is a film that perfectly walks the line between creating a pastiche that respects its precedent and revising a familiar genre to reflect the diversity of people and stories that demand representation today. Knife + Heart should not be missed!