The Criterion Collection, a continuing series of important classic and contemporary films presents Jazz on a Summer’s Day.
In his sole effort in filmmaking, celebrated fashion photographer Bert Stern surveyed the 1958 Newport Jazz Festival to create a now-classic document of ’50s America and capture some of the most stunning images of live jazz ever brought to the silver screen, featuring performances by Louis Armstrong, Anita O’Day, Thelonius Monk, and Dinah Washington, as well as rock and roller Chuck Berry and gospel icon Mahalia Jackson. Stern, with assistance from editor and co-director Aram Avakian and jazz producer and musical director George Avakian, brings onscreen jazz music from smoky nightclubs to the colorfully sunny days of affluent Rhode Island, infusing these images with his distinctively clear and uncluttered aesthetic. Juxtapozing the Festival with footage of its audience, of life in and around Newport, and of the ongoing America’s Cup yacht races, Jazz on a Summer’s Day immortalizes the breezy cool of the era before it was overtaken by rock music and the tumultuous Sixties.
- New 2K digital restoration, with uncompressed monaural soundtrack on the Blu-ray
- New audio commentary featuring jazz and film critic Gary Giddins and radio host Tom Reney
- New introduction to the film by Giddins
- New interview with musician Keith Richards
- A Summer’s Day, an interactive documentary with director Bert Stern with additional scenes
- Jammin’ the Blues, photographer Gjon Mili’s 1944 short film with optional audio commentary by Giddins
- Selection of unreleased performances and footage
- Stills gallery, featuring the work of renowned photographer Bruce Davidson
- Optional captions identifying artists and song titles
- PLUS: An interview with Stern with John Guida and an essay by historian Arik Devens
The Criterion Collection, a continuing series of important classic and contemporary films presents Thirty Two Short Films About Glenn Gould.
François Girard provides in this unconventional bio-pic a compelling and memorable exploration of Canadian musician Glenn Gould, arguably the 20th Century’s greatest classical pianist. Through thirty-two elegantly constructed vignettes mixing drama, documentary, animation, and avant-garde, Girard reveals glimpses of Gould as performer, recording artist, humorist, outdoorsman, speculator, recluse, and iconoclast. Taken together, Thirty Two Short Films About Glenn Gould offers a prismatic understanding of Gould’s complex genius and his personal struggles without dispelling the enigmatic power of his legend.
Day 3 put generational conflict at the forefront of the SFFF and the kids were far from alright. It also marked the Festival’s greatest distance from the horror genre, moving into the rock-doc, the coming of age film, and whatever kind of trash bag meltdown The Greasy Strangler may be. That’s no criticism of Jim Hosking’s film; just a statement of fact. We’ll get to 2016’s most notorious film soon enough, but first things first…
When it comes to high culture respectability, Canada loves to hold up Glenn Gould, considered to arguably be the greatest concert pianist of his century. Made for the Documentary 60 TV series, Glenn Gould: Off the Record (Wolf Koenig and Roman Kroitor, 1959) and Glenn Gould: On the Record (Wolf Koenig and Roman Kroitor, 1959) offer a glimpse at the acclaimed musician in studio and out, although it hardly seems to matter. In both settings, the young Gould reveals himself as an affable and idiosyncratic personality equally at home with music as a theoretical construct as he is with music as an auditory experience. Directors-producers Wolf Koenig and Roman Kroitor once again appear in this retrospective, a testament to their tremendous activity within the NFB and the Documentary 60 series (working as directors and/or producers on at least a quarter of its episodes).
As per the NFB:
In this short documentary, Canadian concert pianist Glenn Gould enjoys a respite at his lakeside cottage. This is an aspect of Gould previously known only to the collie pacing beside him through the woods, the fishermen resting their oars to hear his piano, and fellow musicians like Franz Kraemer, with whom Gould talks of composition.
As per the NFB:
This short documentary follows Glenn Could to New York City. There, we see the renowned Canadian concert pianist kidding the cab driver, bantering with sound engineers at Columbia records, and then, alone with the piano, fastidiously recording Bach’s Italian Concerto.
Fans of the Criterion Collection’s array of music documentaries will find a number of films by the National Film Board of Canada to appreciate. Presented here a pair of great shorts made by four of the NFB’s most prolific filmmakers that provide absorbing views on the artist, their work, and the business that surrounds them. From the zeitgeist that swarms around Paul Anka to the self-effacing ruminations of Leonard Cohen, Lonely Boy (Wolf Koenig and Roman Kroitor, 1962) and Ladies and Gentlemen… Mr. Leonard Cohen (Don Owen and Donald Brittain, 1965) are captivating portraits of two popular Canadian performers.
As per the NFB:
This short film portrays the story of singer Paul Anka, who rose from obscurity to become the idol of millions of adolescent fans around the world. Taking a candid look at both sides of the footlights, this film examines the marketing machine behind a generation of pop singers. Interviews with Anka and his manager reveal their perspective on the industry.
As per the NFB:
This informal black-and-white portrait of Leonard Cohen shows him at age 30 on a visit to his hometown of Montreal, where the poet, novelist and songwriter comes “to renew his neurotic affiliations.” He reads his poetry to an enthusiastic crowd, strolls the streets of the city, relaxes in his three-dollar-a-night hotel room and even takes a bath.
IT WAS THE GREATEST ROCK EVENT EVER … UNTIL THE PLACE EXPLODED!
It is December 31, 1982. Ring in 1983 at the Saturn Theater’s annual New Year’s Eve concert – featuring the far-out Captain Cloud and the Rainbow Telegraph, the king bluesman himself, King Blues, Nada and her pop bubble gum/New Wave/punk ensemble, rock icon Reggie Wanker, and folk-rock legend Auden!
The Saturn Theater’s New Year’s Eve concert is an institution to its owner, master showman Max Wolfe (Allen Garfield), but when Max has a heart attack hours before the concert and villainous promoter Colin Beverly (Ed Begley Jr.) enlists Max’s nephew Sammy (Miles Chapin) in a plot to ruin the event and have the venue signed over to Beverly, its up to stage manager Neil Allen (Daniel Stern) and visiting former stage manager Willy Loman (Gail Edwards) to ensure the show goes on. Luckily Allen and Loman can rely on the dedication of their crew, the professionalism of their acts, and the case of pharmaceuticals provided by the spectral Electric Larry to see the concert through. Boasting musical performances by Lou Reed, Malcolm McDowell, Lee Ving, Bill Henderson, and Lori Eastside, Allan Arkush (Rock ‘n’ Roll High School) presents a hilarious concert movie spoof celebrating sex, drugs, and rock ‘n’ roll as only the 1980s would have it.
- New high definition digital transfer
- High definition Blu-ray (1080p) and Standard DVD Presentation
- Original Stereo 2.0 and 5.1 Dolby Surround Options
- Optional English SDH subtitles for the deaf and hard of hearing
- Introduction by director, producer and writer Edgar Wright
- Audio commentary by director Allan Arkush
- There Will Be No Encores – a new documentary on the making of Get Crazy featuring new interviews with Allan Arkush, Daniel Stern, Malcolm McDowell, Gail Edwards, Allen Garfield, Ed Begley, Jr., Stacey Nelkin, Dan Frischman, Franklyn Ajaye, Robert Picardo, Dick Miller, and Mary Woronov
- Hot Shots – a new documentary on the music of Get Crazy featuring new interviews with Allan Arkush, Malcolm McDowell, Howard Kaylan, Lee Ving, John Densmore, Lori Eastside, Fabian, and Bobby Sherman
- Gone Crazy! – director, producer and actor Eli Roth on Get Crazy
- Theatrical trailer
- Collector’s booklet featuring new writing by cult film scholar Mike Watt