Trouble is just a beat away in this action-packed ’80s classic starring the Kings of Rock, Run DMC. The up-and-coming hip-hop trio of Run, DMC, and Jam Master Jay are signed to Strut Productions, a crooked booking agency laundering drug money for gangsters and aiming to exploit the group’s growing popularity to further their criminal schemes. When their close friend and roadie Runny Ray stumbles upon the illegal operation and is murdered in cold blood, the devastated musicians take the law into their own hands to avenge their friend’s death, facing racist thugs and armed gangsters in their pursuit of justice.
Co-written, co-produced, and directed by superstar record producer Rick Rubin and supported by a hard-hitting soundtrack featuring music by Run DMC, the Beastie Boys, Slick Rick, the Junk Yard Band, and Public Enemy, Tougher Than Leather is an urban Western that’s too tough to miss.
- New High Definition digital transfer
- High Definition Blu-ray (1080p) presentation
- Original Stereo 2.0 and 5.1 Dolby Surround Options
- Optional English SDH subtitles for the deaf and hard of hearing
- Grammar Like a Hammer: The Making of Tougher Than Leather, a new documentary containing interviews with Darryl McDaniels, Rev Run, Rick Rubin, Russell Simmons, Chuck D, and Eddie Murphy
- Run DMC music videos for “Run’s House,” “Mary, Mary,” and “Christmas in Hollis”
- Theatrical trailer
- Illustrated collector’s booklet featuring an interview with photographer Glen E. Friedman and a collection of his on-set photographs
I recently watched Redes (Emilio Gómez Mariel and Fred Zinnemann, 1936), from the first Martin Scorsese’s World Cinema Project box set, and Kent Jones’s visual essay which makes reference to Manhatta (1921), a documentary short made by photographer and Redes-cinematographer Paul Strand and painter Charles Sheeler. The short is not included in the WCP set (although it was included on the now OOP DVD set, Unseen Cinema), and so I thought I would share it here at MMC! The short is inspired by Walt Whitman’s poem “Mannahatta” and is considered the USA’s first experimental film. Strand and Sheeler link their respective art forms (painting and photography) to cinema by preferring dynamic angles and compositions over movement, using editing and intertitles to express a monumental day in Lower Manhattan. The result is a visually engaging and invaluable document of the time.
The Criterion Collection, a continuing series of important classic and contemporary films presents The Incident.
As cynical and despairing a view of New York as you’re likely to find, Larry Peerce’s The Incident is a bitter pill clipping along a Bronx train line, gathering unsuspecting passengers and transforming them into the victims of two young thugs fresh from mugging a helpless old man. Tony Musante and Martin Sheen star as a pair of hoodlums who bait, taunt, and terrorize a melting pot of late-night commuters that includes a husband and wife with a sleeping child, a pair of young lovers, two soldiers recently returned home, an irritated Jewish couple, a bitterly anti-white African American man and his peaceful wife, and an introverted homosexual. Featuring performances by Beau Bridges, Ruby Dee, Jack Gilford, Brock Peters, Thelma Ritter, Donna Mills, and Ed McMahon, The Incident captures the social dissolution of late ’60s New York in the longest, tensest commute ever made between Mosholu Parkway and Grand Central.
- Restored 2K digital transfer, with uncompressed monaural soundtrack on the Blu-ray
- New interview with director Larry Peerce
- New interview with actor Martin Sheen
- Ride with Terror, a 1963 teleplay for The DuPont Show of the Week written and adapted from by Nicholas E. Baehr and starring Tony Musante, Vincent Gardenia, and Gene Hackman
- PLUS: A new essay by Bruce Goldstein, director of repertory programming at New York’s Film Forum
The Criterion Collection, a continuing series of important classic and contemporary films presents Little Murders.
After directing the successful off-Broadway revival of Jules Feiffer’s acclaimed play, Alan Arkin made his feature film directing debut translating the senseless, hysterical world of Little Murders to the screen. Apathetic photographer Alfred (Elliott Gould) and feisty optimist Patsy (Marcia Rodd) are a young mismatched couple in a frantic metropolis where sniper attacks, power outages, and obscene phone calls are commonplace. With riotous supporting performances by Vincent Gardenia, Elizabeth Wilson, Jon Korkes, Lou Jacobi, Donald Sutherland, and Arkin himself, Feiffer’s satirical screenplay takes absurdist aim at the meaningless violence and spreading disenchantment in American life and produces a blackly hilarious comedy classic.
- New 2K digital restoration, with uncompressed monaural soundtrack on the Blu-ray
- Audio commentary from 2004 featuring actor Elliott Gould and writer Jules Feiffer
- New interview program with director Alan Arkin, stars Elliott Gould and Marcia Rodd, and writer Jules Feiffer
- Short films directed by Arkin – T.G.I.F. (1967), People Soup (1969), Samuel Beckett is Coming Soon (1993), and Blood (Thinner Than Water) (2004)
- Gene Deitch’s Academy Award-winning short film Munro, written by Feiffer
- Theatrical trailer and TV spots
- PLUS: A booklet featuring a new essay by film scholar Jim Emerson and Roger Ebert’s original 1971 review
More recently, the National Film Board of Canada has found success in the face of dwindling government funding by refocusing its resources on its streaming site and on interactive web documentaries. One of the most successful of these multimedia film projects is Katerina Cizek’s Highrise (2009), an interrogation into the life of residential highrises that includes various web-based documentaries and a number of derivative works. Presented below are 4 short films that serve as the centrepiece to A Short History of the Highrise (2013), an interactive documentary examining the global history of vertical living. The first 3 films are constructed from the archives of The New York Times, while the last film is made from photos submitted by Times readers. A Short History of the Highrise alone counts a Peabody Award and an Emmy amongst it decorations, while the larger Highrise project has won various other prizes including 2 Webby awards, multiple Canadian Screen Awards, and another Emmy.
As per the NYT:
In the first episode of a four-part series, “Mud” traces the roots of the residential highrise, from the Biblical Tower of Babel to New York’s tenement buildings.
As per the NYT:
In the second episode of a four-part series, “Concrete” explores how, in New York City and globally, residential high-rises and public housing attempted to foster social equality in the 20th century.
As per the NYT:
In the third episode of a four-part series, “Glass” examines the recent proliferation of luxury condos and the growing segregation between the rich and poor.
As per the NYT:
In the final episode of a four-part series, “Home” comprises images submitted by New York Times readers, who show their lives in high-rises around the world.
We return once again to the work of seminal Anglo-Canadian filmmaker Don Owen, “a bellwether of the times” who began his career with the NFB in the 1960s producing short documentaries. First up (for my wife), is Runner (1962), Owen’s gorgeously crafted observation of Canadian distance runner Bruce Kidd. More than 50 years later, Runner feels fresh and galvanizing, achieving a vitality in its crisp narration, its enervating score, and its smooth tracking that only gets vaguely approximated at now between shills for shoes and sports drinks. Owen’s High Steel (1966) considers the role of indigenous peoples in American high rise construction. The film’s lively narration by Don Francks is based on interviews with Harold McComber, a Mohawk iron worker whose daring occupation is made relatable by the sincerity of his professional pride and his practical faith in family tradition.
As per the NFB:
This captivating short documentary profiles the young Canadian long-distance runner Bruce Kidd at 19 years old. Kidd eventually went on to win a gold and bronze medal the 1962 Commonwealth Games, and was a competing member of the 1964 Canadian Olympic tem. Directed by Don Owen (Nobody Waved Goodbye, Toronto Jazz), the film is luminously photographed by John Spotton and features poetic commentary composed and spoken by the great Anglo-American poet W.H. Auden. The camera follows Kidd’s sprightly movements as he runs on piers, practice tracks, and finally, in an international race. Oblivious to the clapping crowds and the flash of cameras, he knows full well that in the long run it is the cold stopwatch that tells the truth.
As per the NFB:
This short documentary offers a dizzying view of the Mohawk Indians of Kahnawake who work in Manhattan erecting the steel frames of skyscrapers. Famed for their skill in working with steel, the Mohawks demonstrate their nimble abilities in the sky. As a counterbalance, the viewer is allowed a peek at their quieter community life on the Kahnawake Reserve, in Quebec.