SFFF Day 1 Report – An Apocalypse, a Dystopia, and a Hyperreality Walk Into a Film Festival …

The Saskatoon Fantastic Film Festival has upgraded the apparatus with its 2018 edition. That means fewer midnight screenings in favour of an extra day of programming, a 3-hour cartoon and cereal party, a snazzy new booklet, new voting ballots, some clever bumpers running before the screenings, sponsorships and promotions from Vinegar Syndrome and Shudder, and even an after party with cast and crew of Supergrid. And with turnout for Day 1 looking robust, Festival Director John Allison and his team must be feeling positive about the prospects for this year. There’s always a desire to find a theme to a given day’s program but finding a common thread between Anna and the Apocalypse (John McPhail, 2018), Rock Steady Row (Trevor Stevens, 2018), Videodrome (David Cronenberg, 1983), and their supporting short films is something of a challenge. At best, it might be said that most of these films attend to breakdowns in community and some very unlikely ways to reassemble them.

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5 Great Reasons to Attend the Buried Alive Film Festival – The November 16th Edition!

Sure, MMC! made the Buried Alive Film Festival’s first day of full programming sound great, but BAFF really comes into its own on Friday, November 16th. There, BAFF offers three feature-length movies, one live score, one supporting short, and a full program of 10 short films entitled “Bury Me With My Favorite Films.” There’s plenty to see and enjoy at the 7 Stages Theatre this Friday. Those on the fence about attending or those looking for a preview of what to watch thankfully have MMC! to point the way.

Here, dear reader, are MMC!‘s five favourite reasons to BAFF this Friday!

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Demon (Marcin Wrona, 2015)

The Criterion Collection, a continuing series of important classic and contemporary films presents Demon.

Adapted from Piotr Rowicki’s 2008 play Adherence, Marcin Wrona’s Demon is a horrifyingly comic and darkly atmospheric exploration of suppressed histories and dissolving minds. Set at a crumbling Polish country house, Polish-Brit Piotr is set to marry his fiancée Zaneta and meet for the first time her appearance-conscious parents. But as the ceremony proceeds, Piotr begins to come undone, and a dybbuk, an iconic ancient figure from Jewish folklore, takes hold of the groom and the entire celebration. Combining horror movie possession with unearthed national traumas and frivolous consumption, Demon is a modern art-horror classic.

Disc Features:

  • 2K digital transfer with 5.1 surround DTS-HD Master Audio soundtrack on the Blu-ray
  • Almonds and Raisins, new interviews with actors Itay Tiran, Agnieszka Zulewska, and producer Olga Szymanska
  • Theatrical trailer
  • New English subtitle translation
  • PLUS: An essay by film critic J. Hoberman

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MeTube: August Sings Carmen ‘Habanera’ (Daniel Moshel, 2013) and MeTube 2: August Sings Carmina Burana (Daniel Moshel, 2016)

Thoughts of the Fantasia Film Festival in Montreal (just underway) and various other fantastic film festivals still to come has me reflecting on cinematic weirdness and my attendance to the Saskatoon Fantastic Film Festival back in October. Among my favourites were Daniel Moshel’s two bizarre shorts, MeTube: August Sings Carmen ‘Habanera’ (2013) and MeTube 2: August Sings Carmina Burana (2016). The former is a hallucinatory tribute to awkward YouTube performances. Featuring Swiss tenor August Schram as a nerdy opera wanna-be and Elfie Wunsch as his grimly attentive mother, the short transforms a reserved and amateurish rendition George Bizet’s Habanera from Carmen into an EDM-infused, pan-sexual bacchanal, and it’s weirdo-glorious. Moshel’s crowd-funded sequel takes MeTube‘s classical mindfuck to the streets with a flash-mobbed carnival of “Opera on Acid.” For more by Moshel and a peek into the making of the films, check out his YouTube and Vimeo pages!

I’m working on our next proposal (an underappreciated comedy for the Shout Select label) so hopefully that will arrive soon. TCB, baby!

They Shoot Horses, Don’t They? (Sydney Pollack, 1969)

The Criterion Collection, a continuing series of important classic and contemporary films presents They Shoot Horses, Don’t They?

On the Santa Monica Pier, in the shabby La Monica Ballroom, a bizarre Depression-era fad unfolds – the dance marathon. A worn out collection of hopefuls (Jane Fonda, Michael Sarrazin, Susannah York, Bonnie Bedelia, Red Buttons, and Bruce Dern) compete in hopes that a Hollywood casting agent spots them or that they at least win the contest’s $1,500 cash prize. But the competition is a grueling public spectacle, lasting thousands of hours and taking weeks to proceed, leaving dignity and salvation farther and farther away. Based on Horace McCoy’s brutally poetic novel and featuring stand-out performances including Gig Young’s award-winning role as the marathon’s huckstering emcee, Sydney Pollack’s seminal film puts a cap on 1960s idealism and paints a bleak portrait of the American Dream that still resonates today.

Disc Features:

  • New 2K digital transfer, presented with uncompressed stereo on the Blu-ray edition
  • Audio commentary by director and producer Sydney Pollack
  • Audio commentary with Jane Fonda, producer Irwin Winkler, former president of ABC Pictures and talent agent Martin Baum, Bonnie Bedelia, Michael Sarrazin, Red Buttons, and legendary hair stylist Sydney Guilaroff
  • New interviews with actors Jane Fonda, Bruce Dern, and Bonnie Bedelia
  • New interview with film critic Kim Morgan
  • New interview with filmmaker Sarah Gertrude Shapiro discussing They Shoot Horses and introducing her 2013 short film Sequin Raze
  • Original featurette on the making of the film
  • Trailer
  • PLUS: A booklet featuring an essay by film scholar Scott MacDonald, composer John Green’s musical continuity notes, Pollack’s forward to the screenplay, and notes, pictures, and diagrams taken from Pollack’s shooting script; a new paperback edition of McCoy’s original novel

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We Together (Henry Kaplan, 2016)

The best dancing zombie video since John Landis’ Thriller (1983), Henry Kaplan’s We Together (2016) offers some interesting ideas as to why the undead might partake of some extended krumping. Featuring the music of Kerron Hurd, this short manages to do something surprising and intelligent with an over-played and often uninspired monster.  For more on the making of We Together, check out Henry Kaplan’s interview at Directors Notes.