David Byrne’s American Utopia (Spike Lee, 2020)

The Criterion Collection, a continuing series of important classic and contemporary films presents David Byrne’s American Utopia.

Deeply reflective and exceptionally high-spirited, David Byrne’s theatrical concert American Utopia stormed Broadway with the ex-Talking Head’s mix of iconic music and quirky ideas. With a collection of eleven talented musicians, singers, and dancers supporting him and informed by the work of James Baldwin, Janelle Monáe, Hugo Ball, and Kurt Schwitters, the show plucked at the connections between us and aimed to start making sense of it all. With director Spike Lee commemorating the show for the screen, David Byrne’s American Utopia transforms the stage production into an immersive, dynamic cinema experience that radiates with astounding performances, inventive contemporary dance, and political urgency. A clarion call for protest, compassion, and shared responsibility and a new masterpiece among concert films, David Byrne’s American Utopia is the life-affirming rock-doc arriving at precisely the right time, ready to burn down the house.

SPECIAL FEATURES:

  • 4K digital master, approved by director Spike Lee and David Byrne, with 5.1 surround DTS-HD Master Audio Soundtrack on the Blu-ray
  • Start Making Sense, a roundtable conversation with Lee, Byrne, musician Janelle Monáe, and critic Ashley Clark
  • One Fine Day, a new program of interviews with Lee, Byrne, and the film’s cast of performers
  • Slippery People, a conversation between choreographer Annie-B Parson and cinematographer Ellen Kuras
  • Remain in Light, an exploration of American Utopia stage design and its innovative lighting
  • Promotional discussions featuring Lee and Byrne
  • Meet the Band, introductory videos for the cast and crew
  • Additional performance of “Hell You Talmbout”
  • Trailer and teaser
  • English subtitles for the deaf and hard of hearing
  • PLUS: An essay by film critic Robert Daniels

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You Can Succeed, Too (Eizo Sugawa, 1964)

The Criterion Collection, a continuing series of important classic and contemporary films presents You Can Succeed, Too.

Sing, dance, and get ahead with You Can Succeed, Too, the closest Japanese cinema ever came to a full-blown Broadway-style musical! Set in a tourism company looking to secure a big American client in the run up to the 1964 Tokyo Olympics, an ambitious salesman (jazz drummer and comedian Frankine Sakai) and his handsome, undemanding colleague (musician and actor Tadao Takashima) struggle to negotiate love and business amid the pressures of a booming Japanese economy and the American-style changes brought to their department by the president’s daughter (Izumi Yukimura). Featuring music from avant-garde composer Toshiro Mayuzumi and lyrics by renowned poet and translator Shuntaro Tanikawa, director Eizo Sugawa creates a musical comedy in the spirit of Frank Tashlin’s Will Success Spoil Rock Hunter? and Frank Loesser’s How to Succeed in Business Without Really Trying, celebrating and skewering Japan’s growing global profile with singing salarymen and dancing office workers.

SPECIAL FEATURES

  • High definition digital transfer with uncompressed monaural soundtrack on the Blu-ray
  • Audio commentary with actor Tadao Takashima
  • Audio interview with director Eizo Sugawa and actor Frankie Sakai
  • A History of the Japanese Musical, a video essay by Hieu Chau
  • Theatrical trailer
  • Gallery of promotional materials
  • New English subtitle translation
  • PLUS: An essay by film scholar Michael Raine and 1994 interviews with composer Toshiro Mayuzumi

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Knife + Heart (Yann Gonzalez, 2018) – Ithaca Fantastik 2018

The Criterion Collection, a continuing series of important classic and contemporary films presents Knife + Heart.

In the neon glow of 1979 Paris, Anne (Vanessa Paradis) makes her living producing low-budget gay pornography and struggles with the heartbreaking rejection of her longtime lover and current film editor Loïs (Kate Moran). She aims to inspire Loïs back into loving her with increasingly ambitious productions, even using the murders of her actors by a leather clad killer as inspiration, but as the killings continue and her troupe becomes increasingly cautious, Anne assumes the role of amateur sleuth investigating the secret of the mysterious figure that stalks her company. Deftly blending Parisian porn silliness and Italian slasher conventions with a pulsing score by electronic music group M83 and a perfect period production design, Knife + Heart is an affectionately queer tribute to cinema’s body genres and to love in its many forms.

Disc Features:

  • 4K digital master, approved by director Yann Gonzalez and director of photography Simon Beaufils, with 5.1 surround DTS-HD Master Audio soundtrack on the Blu-ray
  • Two audio commentaries, one featuring Gonzalez and actors Vanessa Paradis, Kate Moran, and Nicolas Maury, and the other featuring Gonzalez, Beaufils, co-writer Cristiano Mangione, and production designer Sidney Dubois
  • New interview on the film’s soundtrack with Yann Gonzalez and his brother Anthony Gonzalez
  • New interview with historical advisor Hervé Joseph Lebrun on the 1970s Parisian porn scene
  • Mondo Homo: A Study of Gay French Porn in the ’70s, Lebrun’s 2009 feature-length documentary
  • Trailer
  • New English subtitle translation
  • PLUS: An essay by Anthony Nocera

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SFFF Day 5 – The Good, the Bad and the Heavy

The Saskatoon Fantastic Film Festival’s final day kicked off by wrapping up its body horror retrospective with Philip Brophy’s Body Melt (1993). MMC! imagined an Arrow Video edition of the film earlier this summer, back when word of its restoration began circulating. The film now has a packed Blu-ray release compliments of Vinegar Syndrome, bringing this lesser known wonder to the world. The SFFF paired Body Melt with Chris McInroy’s practical effects-based We Summoned a Demon (2018), a fun and goofy short about a couple of guys who just want to be cool and end up summoning a demon. Overall, a fun way to start the Festival’s end.

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SFFF Day 1 Report – An Apocalypse, a Dystopia, and a Hyperreality Walk Into a Film Festival …

The Saskatoon Fantastic Film Festival has upgraded the apparatus with its 2018 edition. That means fewer midnight screenings in favour of an extra day of programming, a 3-hour cartoon and cereal party, a snazzy new booklet, new voting ballots, some clever bumpers running before the screenings, sponsorships and promotions from Vinegar Syndrome and Shudder, and even an after party with cast and crew of Supergrid. And with turnout for Day 1 looking robust, Festival Director John Allison and his team must be feeling positive about the prospects for this year. There’s always a desire to find a theme to a given day’s program but finding a common thread between Anna and the Apocalypse (John McPhail, 2018), Rock Steady Row (Trevor Stevens, 2018), Videodrome (David Cronenberg, 1983), and their supporting short films is something of a challenge. At best, it might be said that most of these films attend to breakdowns in community and some very unlikely ways to reassemble them.

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5 Great Reasons to Attend the Buried Alive Film Festival – The November 16th Edition!

Sure, MMC! made the Buried Alive Film Festival’s first day of full programming sound great, but BAFF really comes into its own on Friday, November 16th. There, BAFF offers three feature-length movies, one live score, one supporting short, and a full program of 10 short films entitled “Bury Me With My Favorite Films.” There’s plenty to see and enjoy at the 7 Stages Theatre this Friday. Those on the fence about attending or those looking for a preview of what to watch thankfully have MMC! to point the way.

Here, dear reader, are MMC!‘s five favourite reasons to BAFF this Friday!

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