The Criterion Collection, a continuing series of important classic and contemporary films presents Jazz on a Summer’s Day.
In his sole effort in filmmaking, celebrated fashion photographer Bert Stern surveyed the 1958 Newport Jazz Festival to create a now-classic document of ’50s America and capture some of the most stunning images of live jazz ever brought to the silver screen, featuring performances by Louis Armstrong, Anita O’Day, Thelonius Monk, and Dinah Washington, as well as rock and roller Chuck Berry and gospel icon Mahalia Jackson. Stern, with assistance from editor and co-director Aram Avakian and jazz producer and musical director George Avakian, brings onscreen jazz music from smoky nightclubs to the colorfully sunny days of affluent Rhode Island, infusing these images with his distinctively clear and uncluttered aesthetic. Juxtapozing the Festival with footage of its audience, of life in and around Newport, and of the ongoing America’s Cup yacht races, Jazz on a Summer’s Day immortalizes the breezy cool of the era before it was overtaken by rock music and the tumultuous Sixties.
- New 2K digital restoration, with uncompressed monaural soundtrack on the Blu-ray
- New audio commentary featuring jazz and film critic Gary Giddins and radio host Tom Reney
- New introduction to the film by Giddins
- New interview with musician Keith Richards
- A Summer’s Day, an interactive documentary with director Bert Stern with additional scenes
- Jammin’ the Blues, photographer Gjon Mili’s 1944 short film with optional audio commentary by Giddins
- Selection of unreleased performances and footage
- Stills gallery, featuring the work of renowned photographer Bruce Davidson
- Optional captions identifying artists and song titles
- PLUS: An interview with Stern with John Guida and an essay by historian Arik Devens
SCARES THAT WILL LEAVE YOU PETRIFIED!
Hans, a young artist, arrives at the famous Dutch windmill of Professor Wahl to study the horrible stone statues contained within the local landmark, a mechanical carousel of history’s most notorious women meeting their gruesome and untimely ends. There, he becomes captivated with Wahl’s mysterious and seductive daughter notwithstanding Hans’s relationship with a local art student. Warned by Professor Wahl to stay away from his seriously ill daughter and suspicious of her private doctor, Hans begins to suspect that deadly family secrets are being kept within the mill…
Giorgio Ferroni’s Mill of the Stone Women was Italy’s first horror film shot in color and has become a classic of the Italian Gothic genre. Arrow Video proudly presents four versions of the film with this release, newly restored from the best materials available and including the notorious “topless” shots of sexy French star Dany Carrel originally cut from the US release.
- New high definition transfers of the film in its 95-minute international version, 90-minute French version, 96-minute Italian version, and 93-minute German version
- High-Definition Blu-ray (1080p) and Standard DVD Presentation
- Uncompressed monaural soundtracks on the Blu-ray edition
- Newly translated English subtitles for French, Italian, and German editions
- Optional English SDH subtitles for the deaf and hard of hearing
- Introduction to the film by author and critic Alan Jones
- Audio Commentary with film critic Tim Lucas
- Archival interview with actor Wolfgang Preiss
- Deleted and alternate scenes
- Theatrical trailers
- Stills and poster gallery
- Illustrated collector’s booklet featuring new writing by Andrea Bini, an essay by Pete Tombs, and a comparison of the versions of the film by Tim Lucas, illustrated with original stills and posters
MMC! wraps up its review of the National Film Board of Canada with this penultimate post on the NFB’s first blockbuster, Royal Journey (David Barstow, Roger Blais, and Gudrun Parker, 1951). This 54-minute document of Princess Elizabeth and the Duke of Windsor’s monthlong visit across Canada and to Washington, D.C., is weighed down by some hokey narration, but it is a stunning record of the era, beautifully expressing the complex regionalism of Canada and standing as the first feature film shot on Kodak’s (then experimental) 35 mm Eastman colour film stock. Its presentation is full of newsreel immediacy, showing Canadian life, in nearly all its forms, in vibrant, shocking colour, yet the film is full of history and alludes to the young nation’s place in a larger geo-political context. And the short feature offers some fascinating moments in Canadiana, such Princess Elizabeth’s visit to the Winnipeg Ballet, an institution she would grant “Royal” status to less than 2 years later. (Admittedly, we Canadians are probably as weather-obsessed as the film would have you believe.) Royal Journey was a massive success for the NFB, seen by 350,000 people in its first week and 2 million people over the next 2 years, winning a BAFTA for Best Documentary in the process.
As per the NFB (with only some inaccuracies):
A documentary account of the five-week visit of Princess Elizabeth and the Duke of Windsor to Canada and the United States in the fall of 1951. Stops on the royal tour include Québec City, the National War Memorial in Ottawa, the Trenton Air Force Base in Toronto, a performance of the Royal Winnipeg Ballet in Regina and visits to Calgary and Edmonton. The royal train crosses the Rockies and makes stops in several small towns. The royal couple boards HCMS Crusader in Vancouver and watches native dances in Thunderbird Park, Victoria. They are then welcomed to the United States by President Truman. The remainder of the journey includes visits Montreal, the University of New Brunswick in Fredericton, a steel mill in Sydney, Nova Scotia and Portugal Cove, Newfoundland.