Whoa! It’s been quite a while since we put up a “Trailer Tuesday” post. Let’s fix that by going over some stuff banging around in the MMC! dome!
The next best thing to having an MMC! proposal made real is having a label beat MMC! to the punch. This happened just last week when Criterion announced that Bing Liu’s amazing documentary Minding the Gap (2018) would be joining the Collection. We’ve already declared our admiration for Liu’s brilliant coming of age doc set among the skateboarding community of Rockford, Illinois, putting it among our top 20 films of 2018, and it was set to be our next Criterion proposal once we were done with our favourite films from the 2020 Fantasia Festival. The upcoming Criterion edition has some great special features, not to mention the Collection’s January 2021 slate includes the return of Luis Buñuel’s “Search for Truth” trilogy. That’s a one-three punch of documentary realism and surrealist audacity!
A MAELSTROM OF METAPHYSICAL MAYHEM AND LIBIDINAL LUNACY
Welcome to a world ravaged by explosions of violence, a wasteland without love. Jung, the broken-hearted hero of legend, embarks on an epic quest to reunite with his lost love Maria who was savagely decapitated by the enormous titan Little Jesus. Along his bloody path, Jung finds allies in a bearded maiden, a massive cannibal, and a mysterious drifter and faces challenges in Little Jesus’ minions, encounters that force Jung to face deep questions that oppose his preconceptions of others and, more importantly, his understanding of himself. Armed with the mastery of “ten big punches” and the transformative power of “VIOLENCE,” can Jung subdue the monstrous virtues of Little Jesus, save his fair Maria, and fulfill his legacy? Find out in ten easy episodes.
Produced by renegade French animation studio Bobbypills, Crisis Jung is a perversely entertaining riff on 1980s children’s adventure-fantasy animation, one that imbues its grandiose conflicts and easy moral lessons with pansexual twists and body horror trauma.
Special Edition Contents:
- High Definition Blu-ray (1080p) presentation
- DTS-HD Master Audio 5.1
- French and English audio tracks
- Behind-the-scenes featurette
- Complete storyboards
- Stills gallery
- Feature trailer
- FIRST PRESSING ONLY: Collector’s booklet featuring production design artwork and new writing by illustrator and programmer Rupert Bottenberg
Let’s kick off this “Trailer Tuesday” with my favourite film of the year so far – Panos Cosmatos’ Mandy (2018). For me, this is Cage Rage by Tor Books and I completely love it. Mandy is so clearly defined in its aesthetic bravura, so hilariously aware of its fantastic absurdity. Cosmatos’ direction is stunning, managing to swing between hilarity, tragedy, awe, and back again within the same scene. (Plus, it’s always great to see the dildo from Se7en still working.)
Maybe it’s because Arrow Video made their announcements while I was at the Saskatoon Fantastic Film Festival. Maybe I’m just asleep at the wheel. Either way, MMC! is overdue in noting that Arrow Video will be releasing Robert Harmon’s The Hitcher (1986) at the end of this month, albeit not in the hi-def Blu-ray edition previously proposed here but rather in a scholarly monograph.
Arrow describes the book on its website as:
Robert Harmon’s 1986 film The Hitcher is a complex beast: reviled at the time of its release, it has been adored in the long term as one of the most intoxicating, unrelenting highway cult films ever made. Starring Rutger Hauer in the title role whose alluring villainy would give his turn as Blade Runner’s Roy Batty a run for its money, The Hitcher – both the film and the character – is simultaneously of its time and of the now, a film about the real and the mythic, and a film that challenges our assumptions about masculinity and femininity. Its horrors unfold as The Hitcher tracks and tortures the film’s protagonists across the highways of Nowhere USA, and the film reveals a tangle of contradictions: it is, at times, simultaneously dense, shallow, obvious, subtle, absurd and deeply intelligent.
The critical paths into The Hitcher that this book explores are rich and plentiful, and through an exploration of its origins and production history, a close analysis of the film itself and a consideration of the immediate fallout following its release and its longer legacies, this book celebrates one of the greatest highway horror movies ever made.
Alexandra Heller-Nicholas is a film critic and academic from Melbourne, Australia, who has written four books on cult, horror and exploitation cinema.
Featuring new artwork by Gary Pullin and original stills.
Sounds good! I’ll definitely be picking this one up.
And once again, MMC! shapes the boutique film label world. You are welcome, cinephiles.
MURDER WAS THEIR BUSINESS!
Edinburgh. 1827. The Scottish capital is the world leader in medical research but a scarcity of legally available cadavers has caused medical schools to turn to “resurrectionists,” grave-robbers selling freshly buried (and not so freshly buried) bodies liberated from local graveyards. Irish immigrants Burke (George Rose) and Hare (Donald Pleasence) join the ranks of the body-snatchers, striking up an uneasy business relationship with eminent surgeon Dr. Robert Knox (Peter Cushing) and quickly deciding to speed the process along by murdering the poor and the homeless. Men and women, old and young, everyone becomes a target for the deadly duo, but even as the body count rises, Knox turns a blind eye to their methods in order to further his research. When Burke and Hare go too far and murder a well known figure of the Edinburgh slums, the public goes mad for the killers’ blood and Dr. Knox’s conspiracy is revealed with harrowing consequences.
John Gilling’s The Flesh and the Fiends is a forgotten and under-appreciated classic of British horror, a historical thriller with a disturbingly black heart that is made all the darker for having told the true account of Scotland’s most famous serial killers. Violent and salacious, yet grand and expressionistic, The Flesh and the Fiends is presented here, for the first time, in high-definition presentations of both the British and the infamous “Continental” cuts of the film.
- New high definition digital transfer of the British cut of The Flesh and the Fiends and of the “Continental” version with added scenes of nudity and violence shot for the more permissive European market
- High Definition Blu-ray (1080p) and Standard DVD Presentation
- Uncompressed monaural soundtrack on the Blu-ray edition
- Optional English SDH subtitles for the deaf and hard of hearing
- New interview with director Joe Dante and graphic artist Charlie Largent on The Flesh and the Fiends and its subsequent versions
- In Search of Burke and Hare, a documentary on the West Port murders by David Street and hosted by David Hayman
- Theatrical trailer for The Fiendish Ghouls, the shortened US re-release version of the film
- Alternate title sequence from Mania, the first US version of the film
- Gallery of photos, posters, and lobby cards
- Collector’s booklet featuring an essay by genre writer Jonathan Sothcott and film scholar Edwin Samuelson
HERE COMES ELVIRA … THERE GOES THE NEIGHBOURHOOD!
Elvira busts out in her outrageously funny, big scream, feature film debut! When her great-aunt dies, famed horror hostess Elvira heads for the uptight New England town of Fallwell to claim her inheritance of a spooky house, a witch’s cookbook, and a punk rock poodle. But once Fallwell’s stuffy locals get an eyeful of the scream queen’s ample assets, all hell breaks loose. Can the Madonna of the Macabre find love with a studly cinema owner, avoid the schemes of her creepy great-uncle, titillate the town’s repressed teens, and become a Las Vegas dance sensation, all without being burned alive at the stake?
Cassandra Peterson stars as horror icon Elvira in this sexy comedy hit, filled with wild wisecracks, campy chaos, and scare movie spooks, all poured into the lowest-cut black gown in horror movie history!