HE’S A LUMBERJACK AND HE’S NOT OKAY
Pacific Northwest, 1983 A.D. Outsiders Red Miller and Mandy Bloom lead a loving and peaceful existence in near isolation. When their pine-scented splendour is savagely destroyed by the sadistic Jeremiah Sand and his cult “The Children of the New Dawn,” Red is catapulted into a phantasmagoric journey filled with bloody vengeance and laced with fire. Armed with a hand-forged battle axe and an insane thirst for revenge, Red won’t stop until he has destroyed Jeremiah and his disciples.
From the visionary mind of Canadian filmmaker Panos Cosmatos (Beyond the Black Rainbow), Mandy is an ultra-hard, stylishly told hell-trip with heavy metal symbolism, demonic motorcycle mutants, buzzing chainsaws, and a phenomenal performance by Nicolas Cage as an unstoppable, single-minded avenger. Arrow Video proudly presents this modern grindhouse classic for the first time on 4K Ultra-HD Blu-ray.
The 2019 Buried Alive Film Festival kicks off today with its Sinema Challenge screenings. Four days of feature and short film programming commence tomorrow with the “First Shovel in the Grave is Always Best!” Shorts Block and the hits just keep coming after that. In anticipation of BAFF, MMC! offers ten great reasons to get Buried Alive this Thursday and Friday. Laughs, scares, and some stomach-churning content awaits, so don’t miss it!
Check out BAFF’s schedule for screening details and check out my Letterboxd list of the Fest for MMC! reviews.
1. VFW (Joe Begos, 2019)
Full disclosure: I haven’t seen Joe Begos’ VFW (2019). That might make it an odd place to start for recommendations, however reviews for VFW have been uniformly positive. This throwback action film pits a collection of war veterans (and an innocent teen) against a drug dealer and a horde of mutant junkies. Recalling John Carpenter’s Assault on Precinct 13 (1976), Begos offers a intricate plot and a bounty practical effects, creating a gory, siege film spectacle. Word is that VFW is best seen with a crowd and one will surely be waiting at the 7 Stages Theatre on Friday at 8 pm.
(Believe it or not, MMC!‘s next Criterion proposals are forthcoming. In the meantime and in anticipation of our next two proposals which deal with practices in appropriation, I thought we might consider another animated treatment of media ownership and access, this time from Japan!)
In a recent piece for Locus Magazine, Cory Doctorow laments the failed promise of digital media and selective rights management. In the article, Doctorow recalls how the digital revolution promised infinite distribution, customized rights to content, and cheaper prices. In fact, the opposite has occurred. Access is limited and often temporary, pricing remains static, and choice is dictated by owners who rights seems to be held in virtual perpetuity. Doctorow’s most pithy and salient point comes near the end of his editorial – “There’s a name for societies where a small elite own property and everyone else rents that property from them: it’s called feudalism.”
With feudalism comes poachers, bringing to mind Hiroyasu Kobayashi’s wonderful animated short Cassette Girl (2015). The film, one of the best from the Japan Animator Expo series, offers a beautiful pastiche of anime tropes, including a spunky young adventuress, her giant mecha companion, and an elaborate transformation sequence with obligatory undressing. The girl and her ‘bot search for vintage content on old video cassettes, causing them to run afoul of the tyrannical media police and initiating an elaborate battle that dominates the short. What makes Cassette Girl so impressive is its spectacular embrace of hard media and actual ownership. Physical possession is not merely a means to defeat Cassette Girl‘s media police, but a transformative process that remakes the world itself in favour of its media-poaching heroes (complete with full frame parameters and minor tracking issues). If only the battlefield over DRM were truly this awe-inspiring!
The Saskatoon Fantastic Film Festival’s final day kicked off by wrapping up its body horror retrospective with Philip Brophy’s Body Melt (1993). MMC! imagined an Arrow Video edition of the film earlier this summer, back when word of its restoration began circulating. The film now has a packed Blu-ray release compliments of Vinegar Syndrome, bringing this lesser known wonder to the world. The SFFF paired Body Melt with Chris McInroy’s practical effects-based We Summoned a Demon (2018), a fun and goofy short about a couple of guys who just want to be cool and end up summoning a demon. Overall, a fun way to start the Festival’s end.
A MAELSTROM OF METAPHYSICAL MAYHEM AND LIBIDINAL LUNACY
Welcome to a world ravaged by explosions of violence, a wasteland without love. Jung, the broken-hearted hero of legend, embarks on an epic quest to reunite with his lost love Maria who was savagely decapitated by the enormous titan Little Jesus. Along his bloody path, Jung finds allies in a bearded maiden, a massive cannibal, and a mysterious drifter and faces challenges in Little Jesus’ minions, encounters that force Jung to face deep questions that oppose his preconceptions of others and, more importantly, his understanding of himself. Armed with the mastery of “ten big punches” and the transformative power of “VIOLENCE,” can Jung subdue the monstrous virtues of Little Jesus, save his fair Maria, and fulfill his legacy? Find out in ten easy episodes.
Produced by renegade French animation studio Bobbypills, Crisis Jung is a perversely entertaining riff on 1980s children’s adventure-fantasy animation, one that imbues its grandiose conflicts and easy moral lessons with pansexual twists and body horror trauma.
Special Edition Contents:
- High Definition Blu-ray (1080p) presentation
- DTS-HD Master Audio 5.1
- French and English audio tracks
- Behind-the-scenes featurette
- Complete storyboards
- Stills gallery
- Feature trailer
- FIRST PRESSING ONLY: Collector’s booklet featuring production design artwork and new writing by illustrator and programmer Rupert Bottenberg
HONG KONG’S ORIGINAL MONSTER MASH!
When the sinister Princess Elzebub and her demonic minions ascend from the centre of the Earth to conquer Hong Kong and then the rest of the world, only Professor Liu Ying-de and the Science Headquarters stand in their way. Danny Lee stars as a young man transformed into Inframan, the sensational superhero made beyond bionics! With solar rays and thunderbolt fists, he sets out to vanquish humankind’s enemies forever in this fantastical story of rubber-suited villainy and plastic armor heroism.
Featuring not just one but two Bruceploitation stars (Danny Lee and Bruce Le), the mind-boggling fight choreography of Lan-Shan Ho (The Way of the Dragon), and costumes and creature designs by Ekisu Productions (Kamen Rider), The Super Inframan is a singular tokusatsu action experience from the legendary Shaw Brothers Studio.
SPECIAL EDITION CONTENTS
- Brand New High Definition digital transfer
- High Definition Blu-ray (1080p) presentation
- Original Mandarin mono audio, plus 2.0 and 5.1 Dolby Surround Options, and English mono audio dub track (uncompressed LPCM)
- New English subtitles
- New interviews with actors Danny Lee, Bruce Le, and Terry Lau
- Introduction by Mystery Science Theater 3000 producer Joel Hodgson
- Director Jörg Buttgereit on The Super Inframan
- Original theatrical trailer
- Image gallery
- FIRST PRESSING ONLY: Booklet featuring writing on the film by Damon Foster and August Ragone and interview with director Shan Hua