The Criterion Collection, a continuing series of important classic and contemporary films presents The Phenix City Story.
Corruption, brutality, and vice plagued Phenix City, Alabama, for 100 years, so who would dare to change it? Based on real-life events and filmed on location in what was called Sin City USA, director Phil Karlson’s semi-documentary tears this jolting tale from its Pulitzer Prize-winning headlines and tells the story of those citizens who risked their lives to bring down the burg’s syndicate of thugs and murderers. Signalling the end of stylish film noir and pointing to the crime-busting exposés that followed, this classic B-noir remains indelible for its shockingly transgressive violence, its unsettling authenticity, and its subtextual awareness of the struggling civil rights movement.
- New 2K digital restoration, with uncompressed monaural soundtrack on the Blu-ray
- Phil Karlson: The Core of Fact, a short appreciation featuring writer/film historian Alan K. Rode
- New interview with critics and one-time Alabamans Jonathan Rosenbaum and Nathaniel Thompson
- Historic photos of Sin City-era Phenix City
- PLUS: An essay by critic R. Emmet Sweeney
The Saskatoon Fantastic Film Festival went globe-trotting to start Day 2. The “Drawn from Around the World” block of animated shorts offered some enthralling works. Many conveyed a sad or lamenting poignancy. Keiro (Tatiana Jusewycz, Benoît Leloup, Franck Menigoz, Zoé Nérot, and Charlotte Poncin, 2016) traced a girl’s journey to adulthood and its effect on the giant creature that accompanies her, Beyond the Books (Jérôme Battistelli, Mathilde Cartigny, Nicolas Evain, Maéna Paillet, Robin Pelissier, and Judith Wahler, 2017) envisioned the highly detailed collapse of an impossibly immense library, the Spanish short Dead Horses (Marc Riba and Anna Solanas, 2016) revealed the brutality of war from a child’s perspective and amid fabric devastation, and the Indian film Schirkoa (Asian Shukla, 2017) imagined political strife in a world where citizens wear bags and boxes on their heads. Others brought the funny, like Daniel Sterlin-Altman’s Hi, It’s Your Mother (2017), about motherhood, blood loss, and middle class living told in crude claymation, and Deuspi (Megacomputer, 2017), a very short work about a pair of astonishingly inept stick-up men and their hilarious fates.
HE SELLS DEATH TO THE HIGHEST BIDDER!
After his iconic role as Sergio Corbucci’s Django, Franco Nero teamed up once again with the Spaghetti Western’s “other Sergio” to become The Mercenary. Nero plays Kowalski, a Polish mercenary who sells his expertise to a band of Mexican outlaws led by Paco Roman (Tony Musante), and aids them as they seek to support the revolution and themselves. When the Federal Army closes in, loyalties and political philosophies become strained between Kowalski, Paco, and their beautiful revolutionary ally Columba (Giovanna Ralli). Jack Palance joins Corbucci’s fabulous cast as Curly, Kowalski’s dandified rival and cutthroat villain. With a memorable score by Ennio Morricone and Bruno Nicolai, The Mercenary is a political statement with loads of commercial appeal, presented here in an exclusive high-definition restoration from the original Techniscope negative.
- Brand new restoration from the original 35mm Techniscope camera negative
- High Definition Blu-ray (1080p) and Standard Definition DVD presentations
- Original Italian and English soundtracks in uncompressed PCM mono audio
- Newly translated English subtitles for the Italian soundtrack
- Optional English subtitles for the deaf and hard of hearing for the English soundtrack
- Brand new interview with star Franco Nero
- How to Make a Revolution – featurette on the film’s production including interviews with Franco Nero, Tony Musante, Sergio Corbucci, Nora Corbucci, Luciano Vincenzoni, and Eugenio Alabiso
- US, European, and international trailers
- Illustrated collector’s booklet featuring new writing by Austin Fisher and Howard Hughes
Patriotism has never been as trippy as it is in Vincent Collins’ 200 (1975), a psychedelic commission from the US Information Agency for the American bicentennial. We were lucky enough to see the short in Kier-La Janisse’s latest Saturday Morning All-You-Can-Eat Cereal Cartoon Party and the audience loved it (particularly the moment when hamburgers come sailing from the Horn of Plenty). So salute the flag and check yourself for epilepsy, just as the founding fathers intended!
200 coincidentally marks MMC!‘s 200th post! Big thanks to you crazy kids (both of you) who stop by MMC!‘s tiny corner of the worldwide inter webs, and thanks in advance to that lone reader who will see us to 400!
The Criterion Collection, a continuing series of important classic and contemporary films presents Children of Men.
No children. No future. No hope. In the year 2027, eighteen years since the last baby was born, disillusioned Theo Faron (Clive Owen) becomes an unlikely champion of the human race when he is asked by his former lover Julian (Julianne Moore) to escort a young pregnant woman out of Britain as quickly as possible. In a thrilling race against time, Theo will risk everything to deliver the miracle the whole world has been waiting for. Employing stunningly long takes filmed by the great Emmanuel Lubezki, Alfonso Cuarón’s Children of Men presents a politically charged, near-future dystopia that is all too recognizable from the present day.
- New, restored 2K digital film transfer, supervised by cinematographer Emmanuel Lubezki and approved by director Alfonso Cuarón, with 5.1 surround DTS-HD Master Audio soundtrack on the Blu-ray
- A new piece on the making of Children of Men, featuring new interviews with actors Clive Owen, Julianne Moore, Michael Caine, Chiwetel Ejiofor, and Clare-Hope Ashitey, co-writer Timothy J. Sexton, Cuarón, and Lubezki
- The Possibility of Hope, Cuarón’s 27-minute documentary on the issues and theories behind Children of Men
- Comments by Slavoj Zizek, an extended interview on the film and its adaptation from P. D. James’s novel
- Theo and Julian, interviews with Clive Owen and Julianne on the development of their characters
- Under Attack, a behind-the-scenes look at shooting the film’s complicated action sequences
- Futuristic Design, a review of Children of Men‘s outstanding art direction and world-building
- Visual Effects: Creating the Baby, an examination of the film’s digital effects
- A new video piece with scholar James Udden on Children of Men and the long take
- Quietus “You Decide When” commercial
- Deleted scenes
- Gallery of production photos, posters, and promotional art
- Trailers and TV spots
- PLUS: A booklet featuring extensive production design artwork, Zizek’s essay “The Clash of Civilizations at the End of History,” and a new essay by film critic Charles Taylor
The Criterion Collection, a continuing series of important classic and contemporary films presents Underground.
Emir Kusturica’s epic masterpiece recounts the demise of his native Yugoslavia through the metaphorical relationship of Blacky and Marko over fifty years. The pair booze and brawl their way through World War II, enhancing their reputations as communist guerrilla fighters and black marketeers until Marko tricks Blacky and others into hiding in his cellar where they manufacture weapons for twenty years under the false understanding that the war continues. This raucous and tragicomic parable won Kusturica the Palme d’Or at the 1995 Cannes Film Festival and inspired a flurry of controversy that resulted in the filmmaker’s temporary retirement from the cinema. Included here is Kusturica’s stunning, savage, and hilarious theatrical release and his five-hour television version, Once Upon a Time There Was a Country.
- New 4K digital restoration of the theatrical version, approved by director Emir Kusturica, with 5.1 DTS-HD Master Audio soundtrack on the Blu-ray edition
- Once Upon a Time There Was a Country, the 5-hour mini-series cut of Underground for Serbian television
- New interview with Kusturica on his influences, the film, its reception, and its legacy
- Journalist Tommaso Di Francesco on Underground
- Shooting Days: Emir Kusturica Directs Underground, Aleksandar Manic’s 73-minute documentary on the making of Underground
- Underground at Cannes, footage from the post-screening party at the 1995 Cannes Film Festival
- Guernica, Kusturica’s 1978 short film
- Interviews with cast and crew
- Behind the scenes footage
- New and improved English subtitle translation
- PLUS: A booklet featuring a new essay by film scholar Sean Homer and production photos