Our second stop along the way the MMC!’s next proposal brings us to New York’s Spanish Harlem in the 1940s and In the Street (1948), a short documentary made by a trio of brilliant American polymaths: critic and novelist James Agee, photographer Helen Levitt, and painter and screenwriter Janice Loeb. The three friends shot the film in 1945 and 1946, near where they lived, with Levitt editing the short into its final version. Originally titled I Hate 110th Street, a phrase captured in an image of children’s chalk graffiti that opened an early version of the film, In the Street began with footage originally shot by Agee that directly engaged with his subjects, capturing the vitality of children mugging at the camera with gleeful abandon. Levitt’s approach for additional footage mirrored her trickery in still photography. Pointing her camera at Agee or Loeb, her sister-in-law, as decoys, she used a right-angled viewfinder to catch her true subjects unawares. While Agee’s footage anticipates the direct cinema movement, Levitt’s sideways gaze reveals urban life at its most unmediated, save for her expert framing. Theorist Siegfried Kracauer hailed the documentary as “reportage pure and simple,” presenting a collection of seemingly random experiences infused with an “unconcealed compassion for the people depicted” and a tenderness that never converts them into “anything but themselves.” The short was also a favourite of Charlie Chaplin, who never tired of imitating its young participants.