Fantasia 2021 Announces Its First Wave of Titles!

Last year, MMC! had an absolute blast with the Fantasia International Film Festival’s virtual edition and so it’s exciting to see the Fest return in 2021 with another online edition. FIFF’s first wave of title announcements arrived today and things look very promising with films teased across the Festival’s various sections. And with an added emphasis on Japanese cinema for this 25th edition of Fantasia (and adorable Lone Wolf and Cub-inspired art), August can’t come fast enough for MMC!

Here is Fantasia‘s press release for its initial slate of announcements!

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Fly Me to the Saitama (Hideki Takeuchi, 2019) – Fantasia International Film Festival

SAITAMA IS WACK!

Municipal rivalries, bedroom community resentments, and capital city snobbery are made fantastically farcical in Hideki Takeuchi’s adaptation of Mineo Maya’s cult manga. In this alternate Japan, Tokyo is a luxurious metropolis surrounded by impoverished prefectures living in near feudal-era conditions. Momomi Dannoura (Fumi Nikaido), son of Tokyo’s governor and possessor of striking feminine beauty, rules a baroquely decorated academy and disdains the presence of any non-Tokyoites, particularly those from the Saitama prefecture. The arrival of the mysterious transfer student Rei Asami (GACKT) sparks an undeniable attraction in Momomi and starts a war of liberation between the disrespected prefectures and the opulent megacity. Can love and regional pride overcome big city corruption?

Fly Me to the Saitama is Japanese lunatic satire at its finest, balancing a storm of local inside jokes with universal tensions between slick urbanites and commuter belt wastelands. In between, the film stuffs wacky battles, gender-bending characters, outlandish wigs and costumes, and plenty of historical anachronisms all delivered with disarmingly earnest performances from a stellar cast. Book your ticket to this award-winning, box office smash and accept your Saitamafication!

Special Edition Contents:

  • High Definition Blu-ray (1080p) presentation
  • 5.1 DTS-HD Master Audio and Uncompressed Stereo PCM
  • Newly translated English subtitles
  • Optional English subtitles for the deaf and hard of hearing
  • Audio commentary with director Hideki Takeuchi, creator Mineo Maya, and crew
  • Audio commentary by Japanese film scholar Mark Shilling
  • Interviews with cast and crew
  • Reverse Country Boasting Japan’s No. 1 Final Battle, a special promotional program for the film
  • Behind-the-scenes footage
  • Deleted scenes
  • Trailers
  • Reversible sleeve featuring two artwork choices

FIRST PRESSING ONLY: Collector’s booklet featuring new writing by manga and cosplay scholar Emerald L. King and a new printing of Mineo Maya’s original 188-page manga

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You Cannot Kill David Arquette (David Darg and Price James, 2020) – Fantasia International Film Festival

FROM STUMBLING TO RUMBLING!

Branded as the most hated man in professional wrestling after winning the WCW World Heavyweight Championship in 2000, actor David Arquette attempts a rocky return to the sport that stalled his promising Hollywood career. Despite having two stents in his heart, being under treatment for depression and anxiety, and exhibiting functioning alcoholism, the 47 year-old actor dangerously commits himself reclaiming his self-respect in the squared circle. Arquette’s journey takes him to the backyards of amateur wrestling in Virginia, the fast-paced style of Tijuana’s lucha libre shows, and near-fatal hardcore deathmatches. Along the way, he puts his health, his credibility, and his marriage on the line, but Arquette’s determination to earn a respected place in the world of pro-wrestling cannot be denied.

Part car-wreck, part inspirational Rocky-docky, You Cannot Kill David Arquette is a fascinating look into the closed world of pro-wrestling and a portrait of the physical toll and unbridled passion required to perform in its peculiar brand of theatre. Appearing alongside David Arquette are his wife/producer Christina McLarty Arquette, his siblings Patricia, Rosanna, and Richmond, his ex-wife Courtney Cox, and wrestling legends including Ric Flair and Diamond Dallas Page.

Special Edition Contents:

  • High Definition Blu-ray (1080p) presentation
  • 5.1 DTS-HD Master Audio and Uncompressed Stereo PCM
  • Optional English subtitles for the deaf and hard of hearing
  • Two feature-length audio commentaries, one with directors David Darg and Price James and one with David Arquette and Christina McLarty Arquette
  • Full matches between David Arquette and Nick Gage, RJ City, Mr. Anderson, Jungle Boy, and others, with introductions and alternate commentaries by Arquette and City
  • Outtakes and extended interviews
  • This is the End, a new interview with wrestling historian Dave Meltzer on David Arquette’s reign as WCW Heavyweight Champion
  • New video tribute to the song “You Cannot Kill David Arquette” by The Black Math Experiment
  • Original theatrical trailer
  • Reversible sleeve featuring two artwork choices

FIRST PRESSING ONLY: Collector’s booklet featuring new writing by wrestling critic Andy Murray

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Dinner in America (Adam Carter Rehmeier, 2020) – Fantasia International Film Festival 2020

AS AMERICAN AS APPLE PIE AND PUNK ROCK

In a dreary Michigan suburb, aggro punk rocker Simon (Kyle Gallner) finds himself on the run after a bout of arson and a close call with the police. A chance encounter with eccentric and socially awkward Patty (Emily Skeggs) provides him a place to hide from the law, though she fails to realize that her new friend is the anonymous lead singer of her favourite band. The pair embark on a series of misadventures and while their radically different personalities make them an unlikely duo, Simon and Patty realize that they have a lot more in common than first expected.

Dinner in America is an ode to the ’90s Nebraska punk-scene of writer-director Adam Carter Rehmeier and a hilarious underdog love story boosted by a generous helping of absurdity and some instantly quotable dialogue. Set to the beat of brilliant original songs and perfectly casting Skeggs and Gallner as a suburban Bonnie and Clyde, Dinner in America is a wild and empowering ride through the places and people of Middle America — in all their peculiar forms.

Special Edition Contents:

  • High Definition Blu-ray (1080p) presentation
  • 5.1 DTS-HD Master Audio and Uncompressed Stereo PCM
  • Optional English subtitles for the deaf and hard of hearing
  • Feature-length audio commentary with director Adam Carter Rehmeier and producer Ross Putman
  • One Night Only, new interview on the film’s music with Rehmeier, Emily Skeggs, Kyle Gallner, and composer John Swihart
  • Freedom from Want, new interviews with supporting cast members Lea Thompson, Mary Lynn Rajskub, Pat Healy, and Griffin Gluck
  • Straight Shooting, new interview with cinematographer Jean-Philippe Bernier
  • Apocalypse Yow, new interview with musician and actor David Yow
  • Detroit Punk City, stories from cast and crew on the shoot
  • Outtakes and deleted scenes
  • Original theatrical trailer
  • Soundtrack CD including a remix of “Watermelon” by Bernier
  • Reversible sleeve featuring two artwork choices

FIRST PRESSING ONLY: Illustrated collector’s booklet featuring new writing on the film by producer-director Ant Timpson

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My Fantasia Top Twelve Features

The 2020 Fantasia International Film Festival and its inaugural online edition officially reached its conclusion earlier this month and MMC! is so grateful to have been given the opportunity to participate. Scores of films were screened and new favourites were discovered. MMC! must thank Fantasia’s outstanding staff for their unbelievable work and their smoothly run festival. Shout-outs to Steven, Alyssia, Lorenzo, and Marie-Jade! Jusqu’à l’année prochaine!

This year’s Fantasia was full of very entertaining films and whittling them down to a selection of favourites wasn’t easy. Depite this challenge (and because I’m a consummate professional), here are MMC!’s ten twelve favourite films from the 2020 FIFF!

Dinner in America (Adam Carter Rehmeier, 2020)

There was no film I more purely enjoyed than Adam Carter Rehmeier’s Dinner in America. A tribute to the director’s ’90s-era Nebraska punk scene, Rehmeier creates a wonderfully antagonistic, feel good rom-com that matches Simon, a drug-dealing, bio-pimping, stridently punk arsonist, with Patty, an overly sheltered, overly medicated, dim bulb fashion disaster. Their suburban Michigan environs are enjoyably flat, most frequently centred around cringe-inducing meals, but the pair bring out the nuances in each other that create fuller, even likeable, people. In true punk spirit, there are no engineered misunderstandings, no changes of heart, and no makeovers. Simon and Patty are just two unusual people who already adore each other (even if they didn’t already know it) and are happy to flip off the rest of the world in exchange for a few memorable days of hell-raising. And if that weren’t enough, Dinner in America brought Fantasia’s most magical single moment, a goosebump-raising original song that confirms the film’s brilliance on four-tracks. This is an aggressively adorkable romance and a surprising demand for punk rock’s antiestablishment voice during these tense times. (Where are you punk rock?) In a just world, there would be a generation of high schoolers and college kids that call Dinner in America a touchstone film. Bang your head and warm your heart, dum dum.

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My Fantasia Top Ten Shorts!

The 2020 Fantasia International Film Festival comes to a close today with a handful of screenings (including MMC! favourite, Gabriel Carrer and Reese Eveneshen’s For the Sake of Vicious, and its closing film, Keil McNaughton’s The Legend of Baron To’a)! Be sure to check out my Letterboxd list for the 2020 FIFF which has nearly 150 reviews and ratings of Fantasia features and shorts and which will continue to grow beyond the conclusion of the Festival.

MMC!’s round-up of its favourite feature films screened at Fantasia will be coming soon, as will individual posts imagining the Festival’s best titles for spine-numbered glory. In the meantime, MMC! celebrates its ten favourite short films screened at this inaugural online edition of North America’s greatest fantastic film festival. Here we go!

Who Goes There? (Astrid Thorvaldsen, 2020)

I often get cranky with horror shorts for cheating themselves by offering contexts rather than stories and passing off tone as plot. Who Goes There? is a case study in creating a proper horror short. Made by Norwegian-born, British filmmaker Astrid Thorvaldsen and shortlisted for the 2020 Student BAFTAs, the film is set on an 1880 Minnesota homestead where two sisters, one pious and fearful and the other assertive and irreligious, struggle to care for a third sister taken by a grave illness. The arrival of traveling doctor on the verge of death himself raises concerns that a supernatural force preys upon them and leads to a series of fearsome twists and revelations. The 24-minute film is purposefully paced and totally assured in its direction, avoiding the types of ostentatious visuals that too often plague such shorts. The result is a mini-masterpiece with a convincing period-setting, foreboding and dreadful tension, and a clever conclusion that keeps up the film’s “show, don’t tell” approach to character-driven storytelling. Who Goes There? is currently being developed by Thorvaldsen into a full feature and deservedly so.

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