“The Citizen Kane of animation” – Bill Plympton
Based on Robin Nishi’s underground manga, Masaaki Yuasa’s Mind Game is a singularly daring first feature that fully embraces the creative freedom of animation. This surrealistic adventure follows aspiring comic book artist Nishi from death and back again, then into the belly of a whale where he learns to pursue his dreams and take charge of his life while in the company of his childhood crush, her no-nonsense sister, and an elderly man trapped inside for more than 30 years. Mind Game, another vibrant and imaginative work of Japan’s celebrated Studio 4°C, blends flat animation, CGI, and digitally-painted live action into a roughly hewn, artistically exaggerated, cult masterpiece. Technically surreal and aesthetically defying, Mind Game is a brave and inspiring work of art unlike anything in Japanese anime and global animation.
- Audio commentary with director Masaaki Yuasa
- Footage from the Mind Game completion reception
- Pre-screening discussions at the Mind Game premiere
- Cast and crew interviews
- Koji Morimoto’s Noiseman Sound Insect, a 15-minute anime produced by Studio 4°C and featuring the designs and animation of Masaaki Yuasa
- Cat Soup, Tatsuo Sato’s experimental 33-minute anime written and produced by Masaaki Yuasa
- Masaaki Yuasa’s crowd-funded short, Kick-Heart
- A 16-page booklet featuring an interview with Yuasa and an essay by Japanese film scholar Mark Shilling
Kami-sama Edition – Package Includes:
- Mind Game on Blu-ray or Standard DVD featuring over 4 hours of bonus material!
- DRM-free Digital Download of the film in 1080p, 720p, and mobile/tablet formats
- Instant Download of Original Motion Picture Soundtrack by Seiichi Yamamoto and including Fayray’s closing song “Saisho de Saigo no Koi”
- Storyboards and concept art by Masaaki Yuasa
- Complete Mind Game manga by Robin Nishi
- Illustrated Postcards
Posted in Action, Animation, Drafthouse Films, Experimental, Film, Funny, Japan
Tagged 2000s, Adaptations, Animation, Avant-Garde, Color, Drafthouse Films, First Films, Japan, Little Something Extra, Masaaki Yuasa, Mind Game, Widescreen
We’ve thought a lot lately about short films (their prevalence and the limits on their circulation). More specifically, we’ve been thinking about McSweeney’s too short-lived DVD/magazine series “of unseen things,” Wholphin. Over 15 issues (and a Best of edition), Wholphin provided a much needed opportunity to explore film in its short format and its selections were brilliant. The Criterion Collection remains decidedly auteur-focused in its approaches to short films, while Drafthouse Films’ recent Confetti of the Mind, a compilation of Nacho Vigalondo’s shorts, has yet to claim a spine number or a place on hard media (which it should). Shorts, particularly those made by filmmakers not yet acclaimed or defined as auteurs, need forums like Wholphin to circulate and find appreciation. Both Criterion and Drafthouse could find a space for something akin to McSweeney’s now-defunct series. This is our modest call for more short films on hard media. We’ll respectfully label these posts “Son of Wholphin” and use these spaces to celebrate our favourite short form works, regardless of whether they’re new and unheralded or already circulated and admired.
We’ll kick this off with our favourite from Wholphin No. 1, a 4-minute contemporary classic shot with a budget of only $150, written by Miranda July, and directed by Miguel Arteta (director of Cedar Rapids (2011), another favourite here at MMC!). Are You the Favorite Person of Anybody? (2005) stars John C. Reilly asking this simple survey question to a series of passers-by (July, Mike White, Chuy Chavez) with delightful results. Interestingly, Arteta comments in Wholphin on the poignancy of the film as he became aware during filming that his relationship with July was winding down. The shoot was pleasant, but they were broken up by editing, and Arteta looked fondly on the film “like a rear-view mirror that survived a fabulous, painful crash.”
Posted in Film, Funny, Shorts, USA
Tagged 2000s, Are You the Favorite Person of Anybody?, Black and White, Chuy Chavez, Comedies, John C. Reilly, Miguel Arteta, Mike White, Miranda July, Short and Sweet, Son of Wholphin, United States, Widescreen
The Criterion Collection, a continuing series of important classic and contemporary films presents Night of the Demon.
When psychologist John Holden’s colleague, Professor Harrington, is mysteriously and brutally murdered, Holden denies that it is the devilry of satanic cult leader Doctor Julian Karswell, until he becomes the next target of Karswell’s demonic curse! A cult classic starring Dana Andrews as the unyielding debunker of the paranormal, Peggy Cummins as Harrington’s devoted niece, and Niall McGinnis as the charming master of dark forces, this British horror noir recalls director Jacques Tourneur’s previous work with famed B-horror film producer Val Lewton and stands as the filmmaker’s last great masterpiece. Presented here in new restored editions are both the original version released in the UK and the truncated American version, re-titled Curse of the Demon.
- Includes new digital transfers of both versions of the film: Night of the Demon, the 96-minute British cut, and Curse of the Demon, the 81-minute version released in the United States
- New video introduction by Martin Scorsese
- Interview with Peggy Cummins
- A video essay with film critic Chris Fujiwara
- Samuel Wigley on the script of Night of the Demon
- Gallery of production photos and promotional materials
- PLUS: A booklet featuring a new essay by film critic Danny Peary and M. R. James’s 1911 source story, “Casting the Runes”
Posted in Criterion Collection, Film, Horror, UK
Tagged 1950s, Adaptations, Athene Seyler, Black and White, Black White and Wide, Compare and Contrast, Cult Movies, Curse of the Demon, Dana Andrews, Jacques Tourneur, Liam Redmond, Maurice Denham, Night of the Demon, Noir and Neonoir, Reginald Beckwith, Scary Movies, Scorsese Favorites, United Kingdom, Widescreen
The Criterion Collection, a continuing series of important classic and contemporary films presents Alias Nick Beal.
Ray Milland stars in this modernized Faustian tale as the mysterious Nick Beal, a Mephistophelean tempter who emerges from the fog to corrupt District Attorney Joseph Foster (Thomas Mitchell) under the guise of helping him convict an elusive gangster. Foster’s success turns to a bid for governor and Beal is only happy to help with the uncertain assistance of devil doll Audrey Totter, a fallen woman who has her own issues with Nick. Little known and difficult to see since its initial release in 1949, the Criterion Collection is proud to present John Farrow’s Alias Nick Beal, a brilliant and atmospheric work of supernatural film noir.
- New 2K digital restoration, with uncompressed monaural soundtrack on the Blu-ray edition
- Audio commentary by film noir scholar Eddie Muller
- New interview with John Farrow’s daughter, actress Mia Farrow
- The Screen Director’s Playhouse 1950 radio dramatization of Alias Nick Beal featuring Ray Milland
- PLUS: A booklet featuring new essays by filmmaker Guy Maddin and film scholar Inez Hedges
Posted in Crime, Criterion Collection, Fantasy, Film, Hollywood, USA
Tagged 1940s, Academy Ratio, Adaptations, Alias Nick Beal, America America, Audrey Totter, Black and White, Classic Hollywood, Faith on Film, Franz Waxman, Geraldine Wall, John Farrow, Jonathan Latimer, Lionel Lindon, Mindret Lord, Noir and Neonoir, Novels on the Big Screen, Ray Milland, Spectacular Set Design, The Contact Man, The Dark Side, Thomas Mitchell, United States
The Criterion Collection, a continuing series of important classic and contemporary films presents It’s Tough Being a Man: The Complete Tora-san.
For more than twenty-five years, writer-director Yoji Yamada and iconic actor Kiyoshi Atsumi entertained Japanese audiences with the exploits of Torajiro Kuruma, better known as Tora-san, a boorish but kind-hearted street peddler unlucky in love. In each of the forty-eight feature films released between 1969 and 1995, Japan’s loveable loser returned home to Shibamata to upset the lives of his aunt, uncle, and half-sister and ultimately find himself heartbroken over yet another failed infatuation. This gently sentimental comic series, known domestically as It’s Tough Being a Man, was an iconic part of Japanese culture that combined a nostalgic vision of post-war community with an unusually unreserved protagonist and traced the fortunes of a country through four decades. This deluxe set features all forty-eight Tora-san films, presenting many of the beloved classics for North American home-viewing for the first time.
- New digital restorations of all 48 films, with uncompressed monaural and stereo soundtracks on the Blu-rays
- Audio commentary by Japanese film scholar Stuart Galbraith IV for the first Tora-san film, It’s Tough Being a Man
- Atsumi Kiyoshi no Tora-san kinzoku 25 nen, a 1995 documentary on Kiyoshi Atsumi, along with a new interview with director Yoji Yamada and actress Chieko Baisho
- Tora-san’s Japan, an interactive map tracing Tora-san’s travels across Japan throughout the films
- Tora-san’s Shibamata, a guided tour of Shibamata with journalist Jake Adelstein
- Orangina commercials starring Richard Gere as Tora-san, with behind the scenes footage
- PLUS: A book featuring essays by Japanese film scholars Stuart Galbraith IV, Kevin Thomas, Alexander Jacoby, Michael Jeck, Donald Richie, Dave Kehr and a message from director Yoji Yamada
Posted in Criterion Collection, Film, Funny, Japan
Tagged 1960s, 1970s, 1980s, 1990s, Chieko Baisho, Chieko Misaki, Chishu Ryu, Color, Comedies, Dysfunctional Families, Iconic Collaborations, It's Tough Being a Man, Japan, Kiyoshi Atsumi, Masami Shimojo, Otoko wa tsurai yo, Shin Morikawa, Tatsuo Matsumura, Tora-San, Widescreen, Yoji Yamada
The Criterion Collection, a continuing series of important classic and contemporary films presents Underground.
Emir Kusturica’s epic masterpiece recounts the demise of his native Yugoslavia through the metaphorical relationship of Blacky and Marko over fifty years. The pair booze and brawl their way through World War II, enhancing their reputations as communist guerrilla fighters and black marketeers until Marko tricks Blacky and others into hiding in his cellar where they manufacture weapons for twenty years under the false understanding that the war continues. This raucous and tragicomic parable won Kusturica the Palme d’Or at the 1995 Cannes Film Festival and inspired a flurry of controversy that resulted in the filmmaker’s temporary retirement from the cinema. Included here is Kusturica’s stunning, savage, and hilarious theatrical release and his five-hour television version, Once Upon a Time There Was a Country.
- New 4K digital restoration of the theatrical version, approved by director Emir Kusturica, with 5.1 DTS-HD Master Audio soundtrack on the Blu-ray edition
- Once Upon a Time There Was a Country, the 5-hour mini-series cut of Underground for Serbian television
- New interview with Kusturica on his influences, the film, its reception, and its legacy
- Journalist Tommaso Di Francesco on Underground
- Shooting Days: Emir Kusturica Directs Underground, Aleksandar Manic’s 73-minute documentary on the making of Underground
- Underground at Cannes, footage from the post-screening party at the 1995 Cannes Film Festival
- Guernica, Kusturica’s 1978 short film
- Interviews with cast and crew
- Behind the scenes footage
- New and improved English subtitle translation
- PLUS: A booklet featuring a new essay by film scholar Sean Homer and production photos
Posted in Criterion Collection, Fantasy, Film, Funny, War, Yugoslavia
Tagged 1990s, Bonus Features, Cannes Big Winners, Cannes Winners, Color, Comedies, Compare and Contrast, Davor Dujmovic, Dystopias, Emir Kusturica, Go Big or Go Home, Lazar Ristovski, Little Something Extra, Magical Realism, Miki Manojlovic, Mirjana Jokovic, Mirjana Karanovic, Political Cinema, Revolution!, Slavko Stimac, Srdan Todorovic, Underground, Underground Cinema, War Films, Widescreen, Yugoslavia