Noirvember is upon us and it can be seen amongst these last ten films that I’ve screened. Sam Fuller’s Underworld U.S.A. is a very late example of the form, a vicious and nasty riff on The Count of Monte Cristo with some bravura camera movement and a sweaty, cruel, and unrepentant performance by Cliff Robertson. Still, the most exceptional noir of these last ten films is undoubtedly Michael Curtiz’s double-dealing weepie, Mildred Pierce. A first time watch at MMC! HQ, Mildred Pierce proved to be an exceptional noir experience punctuated by the discovery of two of cinema’s most despicable villains. Both films are sure to make this year’s list of favourite discoveries.
- The Blank Generation (Amos Poe and Ivan Kál, 1976)
- Glorious (Rebekah McKendry, 2022)
- Mildred Pierce (Michael Curtiz, 1945)
- The Outside (Ana Lily Amirpour, 2022)
- L’Argent (Robert Bresson, 1983)
- Blood of the Dragon (Kao Pao-shu, 1971)
- Arabella: Black Angel (Stelvio Massi, 1989)
- Weird: The Al Yankovic Story (Eric Appel, 2022)
- Underworld U.S.A. (Samuel Fuller, 1961)
- The Autopsy (David Prior, 2022)
A big shout-out to The Blank Generation which is an essential glimpse into the early CBGB-era punk and new wave scene, boasting rough but wonderful footage of Patti Smith, Television, Talking Heads, Blondie, and the Ramones. And as someone unfamiliar with Wayne County & the Electric Chairs, Angry Inch fans are going to need to see this proto-Hedwig act in the campy, confrontational flesh. Finally, these last ten films also bear the marks of MMC! working its way through Guillermo del Toro’s Cabinet of Curiosities. Appearing on Netflix, this horror anthology series boasts a murderers’ row of filmmakers – Panos Cosmatos, Jennifer Kent, Ana Lily Amirpour, David Prior, Catherine Hardwicke, Vincenzo Natali, Guillermo Navarro, and Keith Thomas. I would be surprised if some of these entries didn’t make MMC!’s list of favourites for 2022.