The Criterion Collection, a continuing series of important classic and contemporary films presents Children of Men.
No children. No future. No hope. In the year 2027, eighteen years since the last baby was born, disillusioned Theo Faron (Clive Owen) becomes an unlikely champion of the human race when he is asked by his former lover Julian (Julianne Moore) to escort a young pregnant woman out of Britain as quickly as possible. In a thrilling race against time, Theo will risk everything to deliver the miracle the whole world has been waiting for. Employing stunningly long takes filmed by the great Emmanuel Lubezki, Alfonso Cuarón’s Children of Men presents a politically charged, near-future dystopia that is all too recognizable from the present day.
- New, restored 2K digital film transfer, supervised by cinematographer Emmanuel Lubezki and approved by director Alfonso Cuarón, with 5.1 surround DTS-HD Master Audio soundtrack on the Blu-ray
- A new piece on the making of Children of Men, featuring new interviews with actors Clive Owen, Julianne Moore, Michael Caine, Chiwetel Ejiofor, and Clare-Hope Ashitey, co-writer Timothy J. Sexton, Cuarón, and Lubezki
- The Possibility of Hope, Cuarón’s 27-minute documentary on the issues and theories behind Children of Men
- Comments by Slavoj Zizek, an extended interview on the film and its adaptation from P. D. James’s novel
- Theo and Julian, interviews with Clive Owen and Julianne on the development of their characters
- Under Attack, a behind-the-scenes look at shooting the film’s complicated action sequences
- Futuristic Design, a review of Children of Men‘s outstanding art direction and world-building
- Visual Effects: Creating the Baby, an examination of the film’s digital effects
- A new video piece with scholar James Udden on Children of Men and the long take
- Quietus “You Decide When” commercial
- Deleted scenes
- Gallery of production photos, posters, and promotional art
- Trailers and TV spots
- PLUS: A booklet featuring extensive production design artwork, Zizek’s essay “The Clash of Civilizations at the End of History,” and a new essay by film critic Charles Taylor