The Saskatoon Fantastic Film Festival’s final day was even more massive than expected. With a packed program and an extra short film (moved from the previous day due to a technical issue), there was little downtime between screenings and the Festival’s final midnight show started late and wrapped well past 2:30 a.m. Those that saw the marathon day of screenings to its bleary end enjoyed without question the SFFF’s best block of films (plus some welcome giveaways for lucky attendees).
JAPAN’S ANSWER TO SAM FULLER AND BUDD BOETTICHER
In Cruel Story at the End of the Tokugawa Shogunate, Kato offers a merciless view of the Shinsengumi, an elite police force in the service of Japan’s military government. Starring Okawa Hashizo (breaking from his typically lighthearted roles) and Junko Fuji (who would later star as the Red Peony Gambler), this bloody tale chronicles the brutal indoctrination of a young peasant into the Shinsengumi and the secret plot that hides within its ranks.
Next, Akira Shioji stars as Fighting Tatsu, the Rickshaw Man, an independent and confrontational young rickshaw driver who falls in love with a local geisha played by Rumiko Fuji and becomes embroiled in a local gang war. Here, Kato creates a highly entertaining film that is equal parts romantic comedy and gangster action movie.
By a Man’s Face Shall You Know Him is a sprawling, gutsy account of a Korean-Japanese gang’s ruthless rise to power in 1948 Osaka and a local doctor’s unexpected opposition to the hoodlums. Told though vibrant colour cinematography and a complex series of flashbacks, Kato traces the influences of sex, violence, and racism in post-war Japan.
Finally, I, the Executioner provides one of Japanese cinema’s most disturbing dissections of the serial killer, as five women are stalked by a sadistic sex killer intent on avenging the suicide of a 16-year-old boy. Contrasting an uninspired police-investigation with lurid, solarized flashbacks and on-location shooting in Tokyo, I, the Executioner is a shattering story often hailed as Kato’s finest movie.
Presented on DVD and Blu-ray for the first time in the West, these thrilling genre films feature some of Kato Tai’s smartest, toughest work.
- Limited Edition Blu-ray collection (3000 copies)
- High definition digital transfers of all four films from the original film elements by Toei Company
- High Definition Blu-ray (1080p) and Standard DVD presentation
- Original uncompressed mono audio
- Newly translated English subtitles
- Specially recorded video discussions with Japanese cinema expert Tony Rayns
- Original trailers for all four films
- Extensive promotional image galleries for all films
- Reversible sleeve featuring new artwork
- Booklet featuring new writing on all the films and a director profile by Stuart Galbraith IV, Tom Mes, Mark Schilling, and Chris D.
“A grey, horribly-beautiful vision of Hell.” – Simon Foster, SBS.
Now called Tasmania, Van Diemen’s Land was originally a feared and dreaded penal settlement, a final stop at the edge of the world for those convicts unwanted by the British Empire. In 1822, eight convicts escaped the brutal Macquarie Harbour penal station and were forced into the brutal Tasmanian wilderness when their plan went awry. With little food and equipment, these Irish, English, and Scottish fugitives battled harsh conditions and aching hunger in a merciless and unforgiving land – a land where God wields an axe. Director Jonathan auf der Heide and actor Oscar Redding create a grimly poetic retelling of Alexander Pearce’s infamous escape from Macquarie Harbour and the unthinkable acts he committed during his 113 days at large.
- Audio commentary with director and co-writer Jonathan auf der Heide, co-writer and lead actor Oscar Redding, and cinematographer Ellery Ryan
- A Journey Up River: Making Van Diemen’s Land
- Three additional featurettes: The Battle of the Beards, Subtleties of the Slate, and From Bailbo to Van Diemen’s Land
- Hell’s Gates, Jonathan auf der Heide’s 2008 short film
- Two Devils, Jonathan auf der Heide and Gregory Erdstein’s 2014 short film
- Theatrical teaser and trailer
- Original storyboards
- A 24 page booklet featuring production photos and a new essay by film scholar Roderick Heath
Deluxe Edition – Package Includes:
- Van Diemen’s Land on Blu-ray or Standard DVD featuring over 2½ hours of bonus material
- DRM-free Digital Download of the film on 1080p, 720p and mobile/tablet formats
- 27″ x 40″ Movie Poster
As we survey the National Film Board’s history through some of its best works, it’s important to note that the NFB continues to produce great films today. With that in mind, we feature today two more recent works of short animation, both of whom were Academy Award nominees in 2011. Amanda Forbis and Wendy Tilby provide an extremely amusing fish-out-of-water tale with Wild Life, a beautifully composed film about western living with the perfect amount of darkness creeping about the edges of its story. The filmmakers painted each frame of Wild Life in gouache to produce its amazing texture. Patrick Doyon’s Sunday (or Dimanche) offers a view of childhood boredom that is anything but. Quirky, funny, and highly economical in Doyon’s illustration, the grey world of Sunday becomes whimsically dreary and thoroughly endearing. For good measure, we’ve included the NFB’s brief making-of video for Sunday featuring interviews with Doyon and the film’s co-producer Marc Bertrand.
As per the NFB:
This Oscar®-nominated animated short tells the story of a dapper young remittance man who is sent from England to Alberta to attempt ranching in 1909. However, his affection for badminton, bird watching and liquor leaves him little time for wrangling cattle. It soon becomes clear that nothing in his refined upbringing has prepared him for the harsh condition of the New World. A film about the beauty of the prairie, the pangs of homesickness and the folly of living dangerously out of context.
As per the NFB:
This Oscar®-nominated animated short is a magical tale about life as seen through the eyes of a child. In keeping with their Sunday tradition, after mass a family flocks to grandma and grandpa’s house, where the chaotic discussion soon begins to resemble a raucous gathering of crows on power lines. The local factory has shut its doors and, naturally, the adults can’t stop fretting about their money woes. On this particular grey Sunday, a young boy drops a coin on some nearby train tracks out of sheer boredom. Picking up the coin after a train has run over it, he discovers to his astonishment that an amazing transformation has taken place.