Hell (Rein Raamat, 1983)

Rein Raamat’s Hell (1983) adapts the engravings of Estonian graphic artist Eduard Wiiralt into a surreal, grotesque, and heavily sexual animated short. Wiiralt’s three source works, “The Preacher,” “Cabaret,” and “Hell,” date back to the early 1930s and portray a cacophony of bacchanalia, hysteria, and violence in the final years of Estonian independence amid the unrest of the Great Depression and European instability. Raamat’s Hell (Põrgu) was created in the comparably uncertain time of Soviet dismantling and collapse. The short is unsettling in its physical fluidity, like an Eastern European, art film prediction of the climax to Brian Yuzna’s Society (1989).

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