The Flesh and the Fiends (John Gilling, 1960)


AV_Inferno_DVD_.inddEdinburgh.  1827.  The Scottish capital is the world leader in medical research but a scarcity of legally available cadavers has caused medical schools to turn to “resurrectionists,” grave-robbers selling freshly buried (and not so freshly buried) bodies liberated from local graveyards.  Irish immigrants Burke (George Rose) and Hare (Donald Pleasence) join the ranks of the body-snatchers, striking up an uneasy business relationship with eminent surgeon Dr. Robert Knox (Peter Cushing) and quickly deciding to speed the process along by murdering the poor and the homeless.  Men and women, old and young, everyone becomes a target for the deadly duo, but even as the body count rises, Knox turns a blind eye to their methods in order to further his research.  When Burke and Hare go too far and murder a well known figure of the Edinburgh slums, the public goes mad for the killers’ blood and Dr. Knox’s conspiracy is revealed with harrowing consequences.

John Gilling’s The Flesh and the Fiends is a forgotten and under-appreciated classic of British horror, a historical thriller with a disturbingly black heart that is made all the darker for having told the true account of Scotland’s most famous serial killers.  Violent and salacious, yet grand and expressionistic, The Flesh and the Fiends is presented here, for the first time, in high-definition presentations of both the British and the infamous “Continental” cuts of the film.

Special Features:

  • New high definition digital transfer of the British cut of The Flesh and the Fiends and of the “Continental” version with added scenes of nudity and violence shot for the more permissive European market
  • High Definition Blu-ray (1080p) and Standard DVD Presentation
  • Uncompressed monaural soundtrack on the Blu-ray edition
  • Optional English SDH subtitles for the deaf and hard of hearing
  • New interview with director Joe Dante and graphic artist Charlie Largent on The Flesh and the Fiends and its subsequent versions
  • In Search of Burke and Hare, a documentary on the West Port murders by David Street and hosted by David Hayman
  • Theatrical trailer for The Fiendish Ghouls, the shortened US re-release version of the film
  • Alternate title sequence from Mania, the first US version of the film
  • Gallery of photos, posters, and lobby cards
  • Collector’s booklet featuring an essay by genre writer Jonathan Sothcott and film scholar Edwin Samuelson

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The War of the Stars: A New Hope Grindhoused (George Lucas/The Man Behind the Mask, 1977/2010)

The Criterion Collection, a continuing series of important classic and contemporary films presents The War of the Stars: A New Hope Grindhoused.

criterion logoA poor orphan working on his uncle’s moisture farm on the remote desert planet Tatooine, Luke Skywalker dreams of becoming a starship pilot like his friend Biggs Darklighter, but when Luke discovers a hidden message for an old hermit, he becomes embroiled in a quest of galactic scale.  Trained in the arcane ways of a lost order of knights by the reclusive Obi-Wan Kenobi, Luke, with the help of a robotic duo and a pair of greedy space pirates, must save a princess from the clutches of the maniacal Darth Vader and destroy an evil Empire’s planet-sized weapon, the Death Star.  The War of the Stars: A New Hope Grindhoused roughs up George Lucas’ sci-fi classic, using an original 16mm print, unused footage, fearsome digital effects, and other surprising additions to recast it in the spirit of 1970s exploitation cinema.

Disc Features:

  • High-definition digital master, with DTS-HD Master Audio soundtrack on the Blu-ray edition
  • Interactive lexicon cataloging incorporated material
  • Interview with George Lucas
  • Audio commentary by faneditor The Man Behind the Mask
  • Roundtable discussion with Robot Chicken co-founder Seth Green, Robot Chicken: Star Wars cowriter Breckin Meyer, actor and faneditor Topher Grace, Slash Film writer Peter Sciretta, and Fanboys director Kyle Newman
  • Fanmixed, a new interview with legal scholar Lawrence Lessig on fanediting, copyright, and piracy

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