Moonstruck (Norman Jewison, 1987)

The Criterion Collection, a continuing series of important classic and contemporary films presents Moonstruck.

In this award-winning, romantic comedy, Cher stars as Loretta, a widowed bookkeeper in Brooklyn who agrees to marry a mild-mannered man (Danny Aiello) even though she does not love him. Unlucky in love, she promptly falls for his estranged brother (Nicolas Cage), sparking a torrid affair with the moody, young man while her fiancé is absent at his mother’s deathbed. With wonderfully stylized dialogue by playwright John Patrick Shanley and a brilliant ensemble of supporting performances from Olympia Dukakis, Vincent Gardenia, John Mahoney, Julie Bovasso, Louis Guss, and Feodor Chaliapin Jr., Norman Jewison’s Moonstruck is a modern screwball classic and an operatic fable full of moonlit enchantment and the sweet charm of sugar cubes dissolved in champagne.

Disc Features:

  • New 4K digital restoration, with 5.1 surround DTS-HD Master Audio soundtrack on the Blu-ray
  • New interviews with director Norman Jewison, writer John Patrick Shanley, and actors Cher, Nicolas Cage, Olympia Dukakis, and Danny Aiello
  • Audio Commentary featuring Cher, Norman Jewison, and writer John Patrick Shanley
  • A Night at the Opera, musicologist Marcia Citron on opera, La bohème, and Moonstruck
  • Remarriage Italian Style, scholar William Day on Moonstruck and the comedy of remarriage
  • Moonstruck: At the Heart of an Italian Family, a featurette on the making of the film
  • Music of Moonstruck, a featurette on the film’s score
  • Trailer and TV spots
  • PLUS: An essay by scholar Mary Ann McDonald Carolan

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Trailer Tuesday

The Criterion Collection’s announcements for January 2019 look great, but it’s the contrast between the trailers of two forthcoming films that I find particularly intriguing this month. On the one hand, we have the simple, elegant, unadorned trailer for Abbas Kiarostami’s 24 Frames (2017). Painterly and quietly compositional in its attention, the trailer ably expresses Kiarostami’s focus on “movement, perception, and time.” More non-narrative films go Criterion please!

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