I’ve long feared the hazard of imagining a Criterion release of a given film only to have the Collection announce it mid-month as a forthcoming title, thereby leaving my research and writing wasted. Alas, that day has finally arrived with the Criterion Collection announcing Edmund Goulding’s Nightmare Alley as a May 2021 release, leaving my work over the past couple of weeks sunk. Nightmare Alley may be MMC!’s favourite film noir of all time and it’s a timely choice with Guillermo del Toro’s remake scheduled to arrive later this year. Criterion’s other announcements for May 2021 are equally superb – a stand-alone edition of Ahmed El Maanouni’s Trances, the iconic and star-studded Fast Times at Ridgemont High, the tantalizingly salacious Merrily We Go to Hell, and Hou Hsiao-Hsien’s Flowers of Shanghai featuring an absolutely gorgeous cover treatment!
MMC!’s intended discussion of Nightmare Alley attended to the film’s fascinating production history, its horror noir adjacency, and to the distinctive manner by which the film explicitly dealt with film noir’s organizing force: fate. For the curious, I’ve provided below a glimpse of what an MMC! package of Nightmare Alley might have looked like (minus that partially drafted discussion of the film).