An inspiration to the Nelvana animation studio’s first feature, Rock & Rule (Clive A. Smith, 1983), The Devil and Daniel Mouse (Clive A. Smith, 1978) was the Canadian animator’s second television special. Following 1977’s A Cosmic Christmas (Clive A. Smith, 1977), this Halloween program takes its inspiration from Stephen Vincent Benét’s classic short story “The Devil and Daniel Webster” and mines Canadian artistic anxieties over American cultural imperialism and selling out. Struggling folk duo Jan and Daniel Mouse are fired from their last gig and Jan sells her soul to the demonic record producer B.L. Zebub, transforming her into the hit sensation Funky Jan. Success is bittersweet for Jan as she misses Daniel but when B.L. claims his payment under the contract, it’s Daniel who stands up for her in a trial of the damned that culminates in a musical final statement that carries the day. The short features some solid tracks by John Sebastian of The Lovin’ Spoonful and singer-songwriter Valerie Carter, as well as some stunning animation for the infernal B.L. Zebub.
Those looking for more on The Devil and Daniel Mouse, Rock & Rule, and the failed early efforts of Nelvana to achieve its own commercial and artistic independence should consult Keir-La Janisse’s excellent essay “A Song from the Heart Beats the Devil Every Time: The Fear of Selling Out in Nelvana’s The Devil and Daniel Mouse and Rock and Rule” in Gina Freitag and André Loiselle’s The Canadian Horror Film: Terror of the Soul.
Designed for the film lover in mind, SHOUT SELECT shines a light on films that deserve a spot on your shelf. From acknowledged classics to cult favorites to unheralded gems, SHOUT SELECT celebrates the best in filmmaking, giving these movies the love and attention they deserve.
LONG TAILS AND EARS FOR HATS!
Re-discover the Pussycats, Josie (Rachael Leigh Cook), Melody (Tara Reid), and Val (Rosario Dawson), three small-town musicians with big dreams but little future! The chance of a lifetime arrives out of the blue when Wyatt (Alan Cumming) of MegaRecords signs them to an awesome recording contract without even hearing them play. Suddenly, Josie and the Pussycats are living life in the fast lane with sold-out concerts, chartered jets, a number one single, and global stardom. Their good fortune comes at price however and the Pussycats soon discover that they’re being used by their record label’s maniacal CEO Fiona (Parker Posey) to control the youth of America. Featuring a hit soundtrack of pop-punk songs and purr-fectly hilarious performances, Josie and the Pussycats is a modern cult classic about friendship, rock music, and capitalist conspiracies.
- NEW HD Film Transfer
- NEW “Back To Riverdale” With Directors Deborah Kaplan and Harry Elfont and Stars Rachael Lee Cook, Rosario Dawson, and Tara Reid
- NEW “Here and Meow” With Singer Kay Hanley
- NEW “In Through The Backdoor” With Actors Seth Green, Donald Faison, and Breckin Meyer
- Audio Commentary With Directors Deborah Kaplan and Harry Elfont and Producer Marc Platt
- Backstage Pass
- Deleted Scenes
- Josie and the Pussycats “3 Small Words” Music Video
- Dujour “Backdoor Lover” and “Dujour Around The World” Music Videos
- Theatrical Trailer
- Production Notes
I feel like 2018 is the year that the internet had enough of people saying that Die Hard (John McTiernan, 1988) is a Christmas movie and I’m thankful. Don’t get me wrong; I love me some Die Hard but the self-congratulatory smugness of the Die Hard-as-Christmas classic declaration had its day long ago. To both celebrate and hopefully memorialize this effort in a once clever and now tired idea, MMC! wishes everyone a safe and happy holidays with Brad Neely’s 2009 Baby Cakes short, The In-House Carol, a crudely fashioned and hilariously daft portrayal of Die Hard love gone too far.
SEASON’S GREETINGS TO ALL!!!
The Saskatoon Fantastic Film Festival’s final day kicked off by wrapping up its body horror retrospective with Philip Brophy’s Body Melt (1993). MMC! imagined an Arrow Video edition of the film earlier this summer, back when word of its restoration began circulating. The film now has a packed Blu-ray release compliments of Vinegar Syndrome, bringing this lesser known wonder to the world. The SFFF paired Body Melt with Chris McInroy’s practical effects-based We Summoned a Demon (2018), a fun and goofy short about a couple of guys who just want to be cool and end up summoning a demon. Overall, a fun way to start the Festival’s end.
Day 4 of the Saskatoon Fantastic Film Festival was loaded with screenings and bracketed by a pair of animated programs – the Saturday Morning All You Can Eat Cartoon Party and the web-series Crisis Jung (Baptiste Gaubert and Jérémie Hoarau, 2018). MMC! has already proclaimed the greatness of Crisis Jung and we’re loath to spoil Keir-La Janisse’s program of Saturday morning content given that it continues to tour festivals and cinematheques. Themes do tend to run through the Cartoon Party programs and “women’s lib” stood at the forefront with cartoon episodes on equal opportunity, commercials for the YWCA, and PSAs that addressed federal pay equity laws through iconic comic book figures. The Cartoon Party enjoyed a large audience that was quick to applaud for great content and progressive messages and to shout along with the enthusiastic narration of the cartoons. Expect to see another Cartoon and Cereal Party at SFFF 2019!
The Buried Alive Film Festival wraps up this Sunday and MMC! is here to tell you why you should go! In addition to another screening of The Golem with a live score by the band Samadha (just in case you miss the screening and performance this Friday), there are two feature films, two supporting shorts, the “Why Bury Good Meat?” short program, and BAFF’s awards ceremony.
There’s plenty of good stuff to see on BAFF’s final day and MMC! has its favourites. Here, dear readers, are five MMC!-approved titles to BAFF this Sunday: