In this complex and pessimistic melodrama, young Ayako Takigawa (Ayako Wakao) stands trial for the murder of her intolerable husband during a mountaineering accident. Flashbacks of the incident reveal Ayako suspended between her spouse below and the young man she secretly loves who struggles to hold their safety line from above. By cutting her husband’s rope, she saves herself and the young man, allows her husband to fall to his death, and breaches her cultural duties as both a climber and a wife. Wakao beautifully reconciles the competing desires of love, sex, and death within her tortured character, while director Yasuzo Masumura skillfully crafts a noir-infused tale of dark passions and claustrophobic oppression.
Eclipse is a selection of lost, forgotten, or overshadowed classics in simple affordable editions. Each series is a brief cinematheque retrospective for the adventurous home viewer.
Best known for his unsentimental portraits of stubborn individuality bordering on madness, Yasuzo Masumura and his alluring queen Ayako Wakao constructed tales of strong-willed women resisting the repression and abuse of Japanese society. In these exaggerated tales of obsession and desire set in the restrictive confines of traditional marriage, Masumura explores the tragedy of true love and devotion, the liberating power of eroticism, and the sacrifices demanded by corporate living and Japan’s post-war economic miracle. Wakao is irresistible in these four films, playing inviolable femme fatales whose sexuality and dedication leave them unmanageable to the culture that surrounds them and cruelly punished for their inability to conform.
The Most Valuable Wife (Saikô shukun fujin)
A formative work between Masumura and Wakao, the Mihara family’s three sons operate a trading company, with the eldest pair already married to daughters of the Nonomiya family, but when the Miharas’ youngest son Saburo (Hiroshi Kawaguchi) and the Nonomiyas’ youngest daughter Kyoko (Wakao) refuse to do the same, they raise the ire of their ambitious siblings.
A Wife Confesses (Tsuma wa kokuhaku suru)
Cited as one of Masumura’s masterpieces and the film that launched Ayako Wakao’s career, Wakao plays a young widow on trial for cutting her uncaring husband’s safety line during a mountaineering holiday and murdering him to pursue the affections of a younger man (Kawaguchi) and collect five million yen from her husband’s life insurance.
Seisaku’s Wife (Seisaku no tsuma)
In this antimilitarist portrait written by Kaneto Shindo and set during the Russo-Japanese war, a sullen woman (Wakao) ostracised in her small farming village falls into a mad, obsessive affair with the town’s favored son (Takahiro Tamura), a relationship that ultimately dooms them both.
The Wife of Seishu Hanaoka (Hanaoka Seishû no tsuma)
This portrayal of true-life physician Hanaoka Seishu (Raizô Ichikawa), the first doctor to use general anesthetic, pits his ardent but suffering wife (Wakao) and his harshly devoted mother (Hideko Takamine) as competitors offering themselves as subjects for his surgical experimentation.
With notes by Jonathan Rosenbaum