It’s another splendid month of announcements from the Criterion Collection. Without any doubt, I’m most interested in the release of Frank Borzage’s Moonrise (1948). This is mainly due to my fascination with MoMA’s recent program, Republic Rediscovered. Presented in two halves, with the first having wrapped up earlier this month and the latter half arriving in August, the series is presented by Martin Scorsese and the Film Foundation and offers 30 new restorations (compliments of Paramount Pictures) from the acclaimed poverty row studio, Republic Pictures. Moonrise will join the Criterion Collection in May and screen as part of the program’s second half in August. Until then, enjoy Gina Telaroli’s wonderful trailer.
With the Criterion Collection’s tease of Twin Peaks: Fire Walk with Me (David Lynch, 1992) and the screening of the first two parts of Lynch’s new Twin Peaks 18-part feature at the Cannes Film Festival, it seems like much of the CC world is abuzz over David Lynch and the prospects of new spine numbered editions being announced. This has got me thinking about my favourite shorts by Lynch and so today MMC! casts its spotlight on Premonitions Following an Evil Deed (David Lynch, 1995), a 52-second film made for the Lumière and Company anthology film (1995) celebrating the centenary of Auguste and Louis Lumière’s first films. Contributing shorts to the anthology used the original Cinématographe camera, were edited in-camera, could not be longer than 52 seconds, could not have synchronized sound, and were allowed no more than three takes. This eerie and foreboding short was filmed on five sets constructed at the house of Gary D’Amico, Lynch’s special effects co-ordinator. Premonitions is one of six restored short films included on Criterion’s edition of Eraserhead (David Lynch, 1977).