Trailer Tuesday – A CFF Preview

With the Chattanooga Film Festival just over a week away and with a stacked program stuffed into only 3½ days, careful planning and difficult prioritizing is required to get the most out of this year’s CFF. MMC! takes this opportunity to celebrate this year’s bounty and offer a quick preview of the CFF with a “Trailer Tuesday” devoted to making some hard choices.

1. Lowlife vs. Madeline’s Madeline vs. WTF

The CFF’s opening block of films is a doozy, programming Ryan Prows’s wonderful Lowlife opposite Josephine Decker’s Sundance darling Madeline’s Madeline and the WTF (Watch These Films) block of short films. I’ve already expressed my admiration for Lowlife, which is both an excellent pastiche of 1990s New Hollywood Violence and a canny take on MAGA-era America, and with director Ryan Prows in attendance for a Q&A and Carey Williams’ short Emergency accompanying it, that’s a hard to miss screening. Madeline’s Madeline came out of this year’s Sundance Film Festival with great reviews, reportedly a coming of age drama/experimental film about a young actor who joins an acting troupe and immerses herself in her current role rather too deeply for comfort, and the WTF block of shorts has some really intriguing titles including Laura Moss’s Allen Anders, a found footage presentation of a notorious stand-up performance from 1987, and John F. Beach and Jonathan Hoeg’s The Accomplice, about a man who discovers his unwitting participation in a bank robbery through a series of answering machine messages. All of these screenings reappear later in the CFF schedule, but that doesn’t really make the choice any easier!

 

Continue reading

Advertisements

Trailer Tuesday

With December announcements being decidedly reserved on all fronts, this latest “Trailer Tuesday” at MMC! requires a different tack and so we start with a future Criterion title a few years still to come – Wes Anderson’s Isle of Dogs (2018). For all of Anderson’s intricate, youthful peccadilloes, he’s never really stooped to fanboy fascination with Japan and I suppose that should have surprised. Isle of Dogs has the director jump into the deep end of Japan’s pop cultural swimming pool with this dystopic, retro, sci-fi story of a boy and his dog(s) (and as one of those fanboys myself, I couldn’t be happier). My next Arrow Video proposal has had me thinking about dogs a lot and so this announcement hits a particular chord. I love those dog sneezes!

Continue reading