The National Film of Board of Canada sometimes gets a bad reputation for being … educational! And if someone were to come up with a title parodying the NFB’s edifying aims and culturally sensitive nationalism, How to Build an Igloo could easily be that film, but Douglas Wilkinson creates a fascinating short that unpacks the ingenious design and skillful handiwork of this modest architectural wonder. How to Build an Igloo (1949) is another somewhat ubiquitous title, a film that many Canadians, including me, were exposed to as children, although most of us have never put these instructions into practice!
As per the NFB:
This classic short film shows how to make an igloo using only snow and a knife. Two Inuit men in Canada’s Far North choose the site, cut and place snow blocks and create an entrance–a shelter completed in one-and-a-half hours. The commentary explains that the interior warmth and the wind outside cement the snow blocks firmly together. As the short winter day darkens, the two builders move their caribou sleeping robes and extra skins indoors, confident of spending a snug night in the midst of the Arctic cold!
If the Criterion Collection were to devote a spine number to a single NFB filmmaker, the consensus pick would likely be experimental animator Norman McLaren. The Scottish-born filmmaker received various honours over his career, including an Oscar (and 4 more nominations), a Winsor McCay Award for lifetime achievement in animation, 3 BAFTA awards, a Silver Bear and Silver Plaque at Berlin, and a short film Palme d’Or at Cannes. The NFB headquarters in Montreal is named after McLaren, as is the electoral district it is located within, and the Film Board commemorated its 70th anniversary with a comprehensive DVD collection of McLaren’s work, Norman McLaren: The Master’s Edition. That set, despite being somewhat confusing in its organization, is just waiting for a blugrade by Criterion. Until such time as that happens, a Criterion Collection set devoted to the NFB would necessarily need to include at least a sampling McLaren’s work. Provided here are three of McLaren’s finest films – Begone Dull Care (1949), winner of a Silver Plaque at the Berlin International Film Festival; Neighbours (1952), Oscar-nominated in the Short Subject category and Oscar-winning as a Documentary Short; and Blinkity Blank (1955), winner of the Short Film Palme d’Or and a BAFTA award.
As per the NFB:
In this extraordinary short animation, Evelyn Lambart and Norman McLaren painted colours, shapes, and transformations directly onto their filmstrip. The result is a vivid interpretation, in fluid lines and colour, of jazz music played by the Oscar Peterson Trio.
As per the NFB:
In this Oscar®-winning short film, Norman McLaren employs the principles normally used to put drawing or puppets into motion to animate live actors. The story is a parable about two people who come to blows over the possession of a flower.
As per the NFB:
This experimental short film by Norman McLaren is a playful exercise in intermittent animation and spasmodic imagery. Playing with the laws relating to persistence of vision and after-image on the retina of the eye, McLaren engraves pictures on blank film, creating vivid, percussive effects.
With the establishment of the National Film Board of Canada in 1939, John Grierson, the British documentarian and the NFB’s first commissioner, set upon a project to foster and shape the national identity, and the outbreak of World War II was a timely context for Grierson’s nationalist aims. One of the NFB’s first efforts was Canada Carries On, a series of theatrical shorts aimed to boost morale during wartime. Its producer, British documentary filmmaker Stuart Legg, found early success in the endeavour when he received two Oscar nominations for the new documentary short category. Relying heavily on stock footage and “voice-of-God” commentary, Legg’s Churchill’s Island (1941) and Warclouds in the Pacific (1941) are remarkable documents of their periods. Churchill’s Island won that first documentary Oscar, but Legg has failed to garner the kind of recognition given to his close colleague Grierson.
As per the NFB:
This film won the NFB its first Oscar® and was also the first documentary to win this coveted award. It presents the strategy of the Battle of Britain, showing with penetrating clarity the relationships between the various forces made up the island’s defences. Here is the Royal Air Force in its epic battle with the Luftwaffe, the Navy in its stubborn fight against the raiders of sea and sky, the coastal defences, the mechanized cavalry, the merchant seamen and behind them all, Britain’s tough, unbending civilian army.
As per the NFB:
This short film examines the Japan that emerged at the beginning of the 1900s and was firmly established as an industrialized nation by the outbreak of World War II. Facing the greatest threat in their history, the democracies of the Pacific took careful stock of this new Japan and its strength, and erected a vast system of defence across the world’s greatest ocean.
The Criterion Collection, a continuing series of important classic and contemporary films presents Thy Broad Domain: Essential Works of the NFB.
For 75 years, the National Film Board of Canada has been a pioneer in film art, producing and distributing more than 13,000 films and winning more than 5,000 awards. The NFB’s collection represents some of film history’s greatest and most influential works of social documentary, auteur animation, experimental film, web series, and interactive productions. Across an endless of variety of filmmaking techniques, these inventive works represent domestic and international concerns from a distinctly Canadian perspective and provide a cinematic influence still felt today. This collector’s set brings together some of the NFB’s most celebrated films since its establishment under the watchful eye of famed British documentarian John Grierson to its present day innovations in digital media.
- New digital restorations, with uncompressed monaural soundtracks on the Blu-ray
- New introductions and audio commentaries to the films by critic Leonard Maltin, documentary filmmaker Ken Burns, director Guy Maddin, scholars Mick Broderick and Rodney Hill, physician and activist Dr. Helen Caldicott, music scholar Paul Sanden, comedians Eugene Levy and Catherine O’Hara, and others
- New and archival interview programs featuring filmmakers including Kaj Pindal, Ishu Patel, Cynthia Scott, Terre Nash, Cordell Barker, and Katerina Cizek
- New and archival documentaries on the making of these films, including Alter Egos, Laurence Green’s hour-long documentary on the making of Chris Landreth’s Ryan
- PLUS: A booklet featuring a foreword by Government Film Commissioner Claude Joli-Coeur and essays by film scholars Gary Evans, André Loiselle, Gene Walz, and Zoë Druick
The Criterion Collection, a continuing series of important classic and contemporary films presents Random Harvest.
From the best-selling novel by James Hilton, author of Goodbye, Mr. Chips and Lost Horizon, comes one of Hollywood’s most sentimental romances and one of 1942’s biggest hits. Ronald Colman stars as Charles Rainier, an amnesiac World War I veteran who falls in love with beautiful music hall performer Paula Ridgeway (Greer Garson) until a sudden accident restores the man’s true identity while erasing from his mind his relationship with Paula. Charles returns to his privileged life to become a successful industrialist but struggles with an unshakeable longing, all while Paula secretly suffers posing as the businessman’s executive assistant. A box-office triumph honored with seven Academy Awards nominations, Random Harvest is a first class melodrama featuring two of the era’s most distinguished performers.
The Criterion Collection, a continuing series of important classic and contemporary films presents Miracle on 34th Street.
Hired by Macy’s flagship store at Herald Square to be its department store Santa, a jolly, white-whiskered man calling himself Kris Kringle soon has everyone in the Christmas spirit, all except his no-nonsense boss Doris Walker and her skeptical daughter Susan. Kris proves himself a valuable asset to Macy’s until the store psychologist has the kind old man committed to a mental hospital and he becomes the subject of a public trial. With his lawyer Fred Gailey at his side, Kris sets out to prove himself to be the one true Santa Claus, defending himself against Scrooges and skeptics alike. Nominated for the Best Picture Oscar and a winner for Best Original Story, Best Screenplay, and Best Supporting Actor for Edmund Gwenn’s performance as Kringle, Miracle on 34th Street was a summertime hit for 1947 and holiday classic ever after.
- New digital restoration of both the original black and white and the 1985 colorized versions of the film, with uncompressed monaural soundtrack on the Blu-ray
- Audio commentary featuring actress Maureen O’Hara
- AMC Backstory – Miracle on 34th Street, a 22-minute examination of Miracle on 34th Street
- Fox Movietone News: Hollywood Spotlight, a newsreel featuring Edmund Gwenn accepting his Academy Award
- Macy’s Thanksgiving Day Parade: Floating in History, a featurette reviewing the iconic parade
- “The Miracle on 34th Street,” a 46-minute television production from 1955, made for The 20th Century-Fox Hour of the Stars and starring Thomas Mitchell and Teresa Wright
- Kinescope of the 1959 “Miracle on 34th Street” adaptation for NBC Friday Night Special Presentation
- The 1973 made-for-TV movie of Miracle on 34th Street starring Jane Alexander and Sebastian Cabot
- Lux Radio Theatre adaptations from 1947, 1948, and 1954 featuring Maureen O’Hara, John Payne, and Edmund Gwenn
- Screen Directors Playhouse adaptations from 1949 and 1950 starring Edmund Gwenn
- Promotional short
- Poster Gallery
- PLUS: A new essay by film critic Chuck Stephens and Valentine Davies’ 1947 novella.