With just a few major films of 2017 still to see, I expect Kogonada’s Columbus (2017) to be my favourite film of the year. I naturally love the movie’s formal rigour, being full of compositional matches and self-reflexive treatments of architecture that draw in complimentary ideas about the nature of film (oh, those mirrors!), however I also found it emotionally clear and engaging. It helps that I live in a city with its own particular debt to modernist architecture. Is John Cho’s “brutal” comment when looking at Haley Lu Richardson’s concrete school an architecture joke? I hope so, because I laughed like it was.
- The Vampire and Sex (René Cardona, 1969)
- One Piece: Chopper’s Kingdom on the Island of Strange Animals (Atsuji Shimizu, 2002)
- Some Like It Hot (Billy Wilder, 1959)
- Columbus (Kogonada, 2017)
- A Face in the Crowd (Elia Kazan, 1957)
- Star Wars: The Last Jedi (Rian Johnson, 2017)
- Top Hat (Mark Sandrich, 1935)
- Kamikaze 1989 (Wolf Gremm, 1982)
- Snows of Grenoble (Jacques Ertaud and Jean-Jacques Languepin, 1968)
- 13 Days in France (Claude Lelouch and François Reichenbach, 1968)
A few final thoughts:
- I find it hilarious that the vampire in the Santo-starring The Vampire and Sex seems only able to drink the blood of women while they’re topless.
- I also find it hilarious how wrong that movie portrays mirrors.
- My wife put The Last Jedi at the top of her non-original trilogy list, but I felt almost nothing for it either way.
- You know that Marilyn Monroe is sexy when even a 4 year-old boy stops in his tracks multiple times to watch her giggle and bounce.
- I’m loving the Criterion Collection’s Olympic box and I’m very happy with my approach of starting in the middle and working my way outwards.
- One of these ten films will be my next MMC! proposal!