A lot of time has been spent lately watching short films and some new favourites have been found, particularly from The All-Nighter Room, a Brooklyn based production company founded by Mickey Duzyj and specializing in distinctive animated and documentary shorts. First up is Duzyj’s The Shining Star of Losers Everywhere (2016), the story of Haru Urara, a Japanese racehorse with a massive losing-streak that became a national symbol of perseverance and pride in hard economic times. Next is Mickey Duzyj and Jeremy Johnstone’s Emmy and Webby nominated The Perfect 18 (2014) about IT manager Rick Baird’s perfect round of Putt Putt golf. Both films offer Duzyj’s clean, spare animation design, with the former subtly using colour to represent the expanding popularity of Haru Urara and the latter deploying this crisp style to elaborate on the precision required of competitive miniature golf. Both of these films are surprisingly affective and use the short film format to avoid allowing their subjects to become overblown.