When it comes to high culture respectability, Canada loves to hold up Glenn Gould, considered to arguably be the greatest concert pianist of his century. Made for the Documentary 60 TV series, Glenn Gould: Off the Record (Wolf Koenig and Roman Kroitor, 1959) and Glenn Gould: On the Record (Wolf Koenig and Roman Kroitor, 1959) offer a glimpse at the acclaimed musician in studio and out, although it hardly seems to matter. In both settings, the young Gould reveals himself as an affable and idiosyncratic personality equally at home with music as a theoretical construct as he is with music as an auditory experience. Directors-producers Wolf Koenig and Roman Kroitor once again appear in this retrospective, a testament to their tremendous activity within the NFB and the Documentary 60 series (working as directors and/or producers on at least a quarter of its episodes).
As per the NFB:
In this short documentary, Canadian concert pianist Glenn Gould enjoys a respite at his lakeside cottage. This is an aspect of Gould previously known only to the collie pacing beside him through the woods, the fishermen resting their oars to hear his piano, and fellow musicians like Franz Kraemer, with whom Gould talks of composition.
As per the NFB:
This short documentary follows Glenn Could to New York City. There, we see the renowned Canadian concert pianist kidding the cab driver, bantering with sound engineers at Columbia records, and then, alone with the piano, fastidiously recording Bach’s Italian Concerto.